The revolving door
Paddled its flat hands through space, like a clock,
But widdershins, orbiting the floorAt the pace of an adult’s brisk walk.
You were four, or very small,
And prone to race or balk,And skittered ahead into the tall
Diminishing wedge
Of air and light, leaving me to push a wallBetween us, both on edge,
Before you, a hectic street, and strangers,
Behind you, the vergeOf panic, yours and mine, the dizzy dangers
Of propulsion, staying still, worst, turning back.
The body’s anguish is its angers.This is how Demeter felt, not the lack,
But helplessness at close range, through glass,
As her daughter entered the almanacAnd love turned impasse,
Rearing against momentum until
The inevitable succumbed to mother-massFor a moment. Just so I braced against the mill,
Its endless peopled deluge,
That briefly you could twinkle and spillClock-wise now over the unforgiving, huge
Entrance/exit, a stutter of doubt
In time’s centrifugeThat spins and separates. I fetched you out
Almost before where we had started
In the threshing roundaboutTogether as only those who have been parted.
Recurring Dream of the Revolving Door
Feature Date
- August 1, 2018
Series
Selected By
Share This Poem
Print This Poem
Copyright © 2018 by A. E. Stallings
All rights reserved.
Reproduced by Poetry Daily with permission

July / August 2018
Manchester
England
General Editor
Michael Schmidt
Deputy Editor
Andrew Lattimer
Through all its twists and turns, responding to social, technological and cultural change, PN Review has stayed the course. While writers of moment, poets and critics, essayists and memoirists, and of course readers, keep finding their way to the glass house, and people keep throwing stones, it will have a place.
“It has […] attempted to take poetry out of the backwaters of intellectual life and to find in it again the crucial index of cultural health. In so doing it has often succeeded in broadening the horizons of our view of twentieth-century poetry and in encouraging poets to be ambitious about their concerns.”
—Cairns Craig, Times Literary Supplement
“…probably the most informative and entertaining poetry journal in the English-speaking world.”
—John Ashbery
“…the premier British poetry journal. Its coverage is broad and generous: from John Ashbery to new young English poets, from essays on Continental poetics and fiction to reviews of neglected poets both living and dead. At a time when poetry is largely neglected, [it] continues to make an eloquent case for its centrality to our culture.”
—Marjorie Perloff
Poetry Daily Depends on You
With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.