Bare Neck of the Woods

Benjamín Naka-Hasebe Kingsley

My ma

                        said agonysaid hurt                        said she’d bedamned                        if painain’t the one                        thing all folksay’s true                        says all folk bowwhen pain                        huckher elbow                        across they neckall folk                        kneelwhen pain                        bitedog-sure                        at the bellyof old knees                        when painrolls through                        this towneven the trees                        burstat the seams                        she said.

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Affrilachian author and Kundiman alum, Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York. His first collection, Not Your Mama’s Melting Pot (2018), was selected by Bob Hicok. His second collection, Colonize Me (2019), is forthcoming with Saturnalia. Recent work appears in Boston Review, FIELD, jubilat, Kenyon Review, and Tin House, among others.

Colorado Review

Fall/Winter 2018

Fort Collins, Colorado

The Center for Literary Publishing
Colorado State University

Director & Editor in Chief
Stephanie G’Schwind

Poetry Editors
Donald Revell
Sasha Steensen
Camille T. Dungy
Matthew Cooperman

Associate Poetry Editor
Felicia Zamora

Launched in 1956 (with the first issue featuring work by Langston Hughes, William Carlos Williams, E. E. Cummings, Henry Miller, Bertolt Brecht, and Mark van Doren), Colorado Review is a national literary journal featuring contemporary fiction, nonfiction, poetry, and book reviews. Each issue is approximately 200 pages. Published three times a year, CR has a circulation of approximately 1,100, is carried by university and public libraries across the country, and is distributed by Kent News to independent bookstores. The journal receives over 9,000 manuscript submissions each academic year.

Colorado Review is committed to the publication of contemporary creative writing. We are equally interested in work by both new and established writers. CR does not publish genre fiction, nor do we subscribe to a particular literary philosophy or school of poetry or fiction.

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