“Stereo(TYPE) is an urgent cri de fe, a fiery pre-emptive strike against, and homage to, the next generation of masters and mistresses, terms that apply equally to those taking up the mantles of white supremacy and those (e.g., Kara Walker, Dawn Lundy Martin, Richard Pryor, Tisa Bryant, Douglas Kearney) making up their own suprematist/constructivist responses to the pecking orders, sidestepping self-immolation in the process. Terse, flippant, and more often right than wrong, Stereo(TYPE) is an ambidextrous skill set, multiplex declensions of that unwritten book called The Descent of Negro.” 
—Tyrone Williams, judge of the 2017 Sawtooth Poetry Prize

“Jonah Mixon-Webster’s potent debut Stereo(TYPE) is kerosene for the torch, for an empire in dire need of being burned clean. His is a language wild with imaginative annihilation: of ‘the contagion that carries itself into the host,’ and the violence of ‘the body’s ruin.’ These urgent, rebellion-driven poems do not ask for supplication, though—if we’re brave enough—invite us to gather in the midst of apocalypse and look, sing, juke: at ourselves ‘as dust nursed by twilight,’ as ‘unholy witness,’ as ‘now neither one is it.’ This collection, for some, is a revelation. For others, a war-cry into the light.” 
—Aricka Foreman

“Jonah Mixon-Webster’s high lyricism guides us through Stereo(TYPE), rife with syntax and language that jumps out on the page. The root of the word ‘poem’ means ‘to make’, and that is what Mixon-Webster is doing in these pages: making. Mixon-Webster is a master of experimentation, for his work reads across multiple genres, creating new hybrids: poem-plays, poem-myths, poem-dreams, poem-dialogues, and more. This work is alive, demanding to be reckoned with, respected, and recognized.” 
—Fatimah Asghar