A Plenitude

Karen Solie

Appearing as though they originate in spiritual ratherthan material seed, as proofwe don’t know how to properly celebrateor mourn — bindweed and ox-eye daisy, cranesbill, harebell,hare’s-foot clover, whose ideology is fragrantand sticky, the underside of reflection bloomingacross centuries. Arguments for and against beliefvolunteering in equal profusion.My many regrets have become the great passion of my life.One may also grow fond of what there isn’tmuch of. Grass of Parnassus —and when you finally find it, it’s just okay.But look for lies and you will see them everywherelike the melancholy thistle, erect spineless herbof the sunflower family. That the eradication of desirepromotes peace and lengthens lifeis time-honoured counsel. Still, you can’t simply wait untilyou feel like it. The beauty of the campions,bladder and sea, the tough little sea rocket,is their effort in spite of, I want to say, everythingthough they know nothing of what we meanwhen we say everything; it is a sentiment referring onlyto itself. Purple toadflax, common mouse ear,orchids, trefoils, buttercup, self-heal,the Adoxa moschatellina it’s too late in the year for,I can hardly stand to look at them.And all identified after the factbut for the banks of wild roses, the poppies you lovedparked like an ambulance by the barley field.

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David Seymour

Karen Solie was born in Moose Jaw and grew up in southwest Saskatchewan, Canada. She is the author of poetry collections including Short Haul EnginePigeon, and The Living Option. Her work has won the Dorothy Livesay Poetry Prize, the Trillium Book Award for Poetry, the Pat Lowther Award, the Griffin Poetry Prize, the Latner Poetry Prize, and the Canada Council for the Arts Victor Martyn Lynch-Staunton Award. Solie has taught in writing programs and at universities across Canada and in the United Kingdom. An associate director for the Banff Centre’s Writing Studio program, she lives in Toronto.

New York, New York

The award-winning poet Karen Solie’s striking fifth collection of poetry blends the story of a seventh-century monk with contemporary themes of economic class, environmentalism, and solitude in an ever-connected world. (Farrar, Straus and Giroux)

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