"The poems in Raft of Flame address inheritance haunted by colonial violence and genocide. The ghosts in the archives speak inside the poems, addressing heritage next to loss. 'I don’t see my face, owl says before soaring, / as the future is born of slave and colonizer / on the ledge of the window.' Here we have the mysteries of mixed culture through the art made by the artists of the ancient Americas and Spain. Here a speaker asks, 'I’m here to see where / I come from to stop the din of not knowing.' The poems time-travel across regions, cultures, and centuries. Alvarez frets history, speaks to historical image-making, religion, and art. The poems invent new perspectives, speak in masks, present cinematic panoplies, are many-tongued, always clear-eyed. Richly they assemble, speak to story with mythic address as they sing and range. These poems are fire."
—Hoa Nguyen, author of Violet Energy Ingots and Judge of Omnidawn’s Lake Merritt Prize

"A blazing vessel of insight carries us through the lush, devastated world of Desirée Alvarez’s Raft of Flame. This book is propelled by questions—urgent questions that camouflage as ordinary ('And what time was dinner?' 'How would a family look?'), and those that immediately chill: 'Tell me why someone must always be sacrificed for the future to be assured?' Throughout, there is a dialectical heartbeat of desire and refusal. The gorgeous series of poems with 'cante' in their titles weave Spanish with English. Alvarez knows and sings how both lineage and etymology carry relationships tender as well as coerced. These poems revel in and expose our sonic becomings: 'Worship of ships now. Warship.' And though the book is populated by other artists (Velázquez, Kahlo, Goya), it is Alvarez, here, who expertly wields both brush and pen."
—Stefania Heim, author of Hour Book