Tell me again of the lepers who learn to shed their disastrous skinby eating the meat of vipers: somethingtransmutable in the flesh. The ancients spent lifetimes consideringthe resurrection of irretrievableparts: wolf-devoured flank, eyesof martyrs pecked clean in a village square. Tell me againabout the new heaven and the new earth,when the bear returns an unblemished armto its faithful socket, when mountains open their mouths to receiveconduits and I-beams and engagement diamondsand the fish ladders the rivers will give up with their dams when the earthis made new. Tell me the formulafor feeling whole again after tragedy. The equation for how much timeI needed after saying no before I’d tell you yes.Tell me I’ll never be alone, even when I wantto be alone.
A Permeable Membrane in the Mutable Cosmos
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- January 21, 2021
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“A Permeable Membrane in the Mutable Cosmos” from SELF-PORTRAIT WITH CEPHALOPOD: by Kathryn Smith.
Published by Milkweed Editions 2021.
Copyright © 2021 by Kathryn Smith.
All rights reserved.
Reproduced by Poetry Daily with permission.
Minneapolis, Minnesota
Environmental collapse. The betrayals and alliances of the animal world. A father who works in a timber mill. The celebrities in our feeds, the stories we tell ourselves. Loss, never-ending loss. Self-Portrait with Cephalopod—selected by francine j. harris as winner of the Jake Adam York Prize—is an account of being a girl, and then a woman, in the world; of being a living creature on a doomed planet; of being someone who aspires to do better but is torn between attention and distraction.
“Self-Portrait with Cephalopod is lush and obsessed and frantic and deathy. At times, there is a pre-apocalyptic reverence and reflection in this collection that feels almost monastic. Beautiful and timely work.”
—francine j. harris
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