Everything Must Go
—after Xandria Phillips
as is tradition for the women / of my blood, / I shop too much. will sacrifice / a paycheck like a lamb for the chance to conjure up / a fresh silhouette. & I am supposed to hate/ this about us. the nerve: to wrap our bodies in myths / we can't afford. but I want to / make peace with this. I want to make peace with my grandmother's gentle back / -room dedicated solely to the choir / of her hatboxes, quiet revelations / lining each wall. all day, she darts between the news & the home shopping network, unsure / whether to spend her pension or her prayer. once, she fled / a country ribboned by war / as if it were a dressing room. practiced walking in america / -n shoes until balance became her. to this day, she nests / for her daughters until there is nothing left / on the racks. stores enough patent-leather & lace to clothe every ghost / she left in Honduras. & who could call such a selfless love / a waste? still, my mother say grandma got too much / space in her heart. too many shelves inside of her she can't wait to fill. / we have this in common. on weeknights, I midnight / scroll across landscapes of pixelated fabric / without direction. check for sales like my life / depends on it. desire a beauty / aimless as light. each morning, I wake wanting / to script a new creation story / across my skin. dare the day to reinvent itself until / everything that's hurt me is a stain / washed clean. sometimes, the mirror is the only place / I decide what happens / to my body. here, I sketch myself into a velvet miracle / no one dare touch. the night / the thief undresses me, every drawer in my chest lay empty / as a scream. how to replace what is stolen / when it is the body / itself? officer asks what / I wore that night & i think of my grandma's urgent gaze/ in macy's. here is its root: we shop to find the look that might finally keep us / safe. if there is always a danger to outrun, praise the choice / of heels for the chase. praise the good shoe & the stature / it lends me tonight. praise the pomp & circumstance of ripping the tag off / a brand-new skin. my grandmother & I dressed ourselves out / of deaths already tailored to fit. if this is a sin, / I’ll take one in every color. so bless every tattered thread / of this love. bless the thousand shopping carts I’ve filled & emptied / communion of fabric gathered / at my feet. after we leave the mall, grandma asks me to say grace over dinner. I take bread, / & break it. say: / this is my body, taken back. I do this in remembrance / of me.
Feature Date
- March 16, 2021
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Excerpted from BEST NEW POETS 2020: Edited by Brian Teare.
Published by University of Virginia Press November 2020.
Copyright © 2020 by Imani Davis.
All rights reserved.
“Everything Must Go” originally published in Issue 28 of The Adroit Journal.
Reproduced by Poetry Daily with permission.
Karen Yang
Imani Davis is a queer Black writer from Brooklyn. A Pushcart Prize-nominated poet, they’ve earned fellowships from The Andrew W. Mellon Foundation, The Lambda Literary Foundation, BOAAT Press, and the Stadler Center for Poetry. They completed their B.A. in English and Africana Studies at the University of Pennsylvania, and they’re currently pursuing a Ph.D. in American Studies at Harvard. Imani’s poetry appears with Best New Poets 2020, Best of the Net, PBS News Hour’s Brief But Spectacular Series, The Offing, Shade Literary Arts and elsewhere.
For more, visit imani-davis.com.
Charlottesville, Virginia
Entering its fifteenth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country’s top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.
Guest Editor: Brian Teare
Series Editor: Jeb Livingood
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