It Came Late

Kirmen Uribe
Translated from the Basque

It was late, by then the horses were sleeping,standing up, the dark of the forest reflecting in their eyes.The tablecloth was still on the table,the breadcrumbs, the food was getting cold.Those who were pregnant had already given birth,were out pushing their baby buggies.The teacher erased the formula on the blackboard.The dancers took off their slippersdisplaying their wounded toes.The street cleaners gathered upthe garbage the festivals left.After that we had no desire to keep singing.It was late, that day was almost another day.The winning made no sense.No one admitted defeat.The peace came late.

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Photo of Kirmen Uribe

Kirmen Uribe writes in Basque. He is one of the most widely translated writers of his generation in Spain. He won that country’s National Prize for Literature for his first novel, Bilbao–New York–Bilbao. Uribe’s poems have appeared in periodicals such as The New Yorker and The Paris Review. His first poetry collection, Meanwhile Take My Hand (Bitartean heldu eskutik), was published in English in 2007, by Graywolf Press. He was selected for the Iowa International Writers Program in 2017 and awarded a New York Public Library Cullman Center Fellowship for 2018-2019. He is now based in New York City, where he teaches Creative Writing at New York University.

Photo of Elizabeth Macklin

Elizabeth Macklin’s most recent book of poems is You’ve Just Been Told. She was the English translator of Kirmen Uribe’s first novel, Bilbao–New York–Bilbao, forthcoming from Coffee House Press in the spring of 2022, and of his first book of poems, Meanwhile Take My Hand (Graywolf, 2007), and is at work on a third book of poems. https://www.elizabethmacklin.net/

Winter 2021

Berkeley, California

Editor and Publisher
Wendy Lesser

“Everyone should rush right out and subscribe to The Threepenny Review.”
—Tony Kushner

“There are vanishingly few magazines left in this country which seem pitched at the general literary reader and which consistently publish such interesting, high-quality criticism, reflection, argument, fiction, and poetry…Threepenny is thankfully still out there.”
—Jonathan Franzen

The Threepenny Review is one of the most original literary magazines not only in the U.S. but also on the entire planet (as far as my experience allows me such a judgment). Why? Because it stands outside the fads of the day; it’s not driven by any intellectual group or fashion. What it does is give the readers the taste of many individual writers’ voices.”
—Adam Zagajewski

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.