Coming To

Kirsten Kaschock

Yellow light, burnt honey from the hanginglamp, a wicker light, the jade plants in the windoweating smoke while the wine poured itself, mea knot beneath the table, four, unwholly made.1976—the summer denim people celebratedAmerica outside with late barbeques and slip-n-slides and sparklers, the gnats down by the crickterrorized by older kids with punks on nights fire-flies flashed up the hill and the word thicket madesomething out of sound, and bramble. Holed upin that kitchen, listening to the sighings of I’dguess my own and other monsters, I prayed neverto grow tits, get caught inside this fog, a cigarettelife, hating on skin-cells lit up in shafts of sun. Whyshould anyone vacuum the shag if all it did was suckaway daytime starlight? I wished for a dogbut when we got one it died, and I never wantedin charge of life again. From down betweentheir knees I heard women saying all the thingsthey weren’t, not really, and felt more and more nothere, not home, and this was how I came tobeing. Hunting light, disquieted, mine a brittle nestamong the half-shadow of motherbodies. Minea double life: Glow-watcher. Cindergrasp. The second-hand. Call me Ashqueen—no, don’t. I’m Mote.

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photo of Kirsten Kaschock

Kirsten Kaschock, a Pew Fellow in the Arts and Summer Literary Seminars grand prize winner, is the author of five poetry books, most recently Explain This Corpse (Lynx House Press 2021). Coffee House Press published her speculative novel—Sleight. She teaches at Drexel University.

cover of Crazyhorse Number 99

Number 99, Spring 2021

Charleston, South Carolina

College of Charleston

Poetry Editor
Emily Rosko

Associate Poetry Editor
Gary Jackson

Contributing Editor & Poetry Translations
Scott Minar

Managing Editor
Jonathan Bohr Heinen

Founded by the poet Tom McGrath in Los Angeles in 1960, Crazyhorse continues to be one of the finest, most influential literary journals published today. Past contributors include such renowned authors as John Updike, Raymond Carver, Jorie Graham, John Ashbery, Robert Bly, Ha Jin, W. P. Kinsella, Richard Wilbur, James Wright, Carolyn Forché, Charles Simic, Charles Wright, Billy Collins, Galway Kinnell, James Tate and Franz Wright. Pulitzer Prize and National Book Award winners alike appear regularly in its pages, right alongside Guggenheim fellows, National Endowment for the Arts fellowship recipients, and writers whose work appears in the O. Henry Prize, Pushcart Prize, and Best American anthologies.

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