Blueberry and thyme bubbling in a skillet.Your beautiful nose runningaround Barcelona. Watching lottery numbersfall from the sky like Bolaño. This I imagineis where you go when you’re notpressing symbols into my hand,buying a new pair of glassesyears later. A great evil emergesfrom a cave, crawls across moonbeams.You move to the coast. City fountainsdelight the air, soak the nightin prisms. I buya swimsuit and a beach. Come in.I will cook you a meal if you like.
Pink Noise
Matt Broaddus
Feature Date
- July 24, 2022
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© Matt Broaddus, from Two Bolts (Ugly Duckling Presse, 2021).
All rights reserved.
Reproduced by Poetry Daily with permission.
Matt Broaddus is the author of the chapbooks Two Bolts (Ugly Duckling Presse, 2021) and Space Station (Letter [r] Press, 2018). His poetry has appeared in [PANK], Changes Review, Annulet, and Fence. He has received support for his writing in the form of fellowships from Cave Canem and the Mid Atlantic Arts Foundation as well as a residency from Millay Arts and a scholarship from Community of Writers. He serves as Poetry Co-Editor for Okay Donkey Press and lives in Englewood, Colorado.
Fractured and wandering, Two Bolts explores the experience of Black diaspora as a circulatory process. Bodies move toward and away from history, myth, and various “imagined communities,” to borrow the term from Benedict Anderson. These poems swing between continents and times in fragmented couplets that lyrically craft a cosmology out of pieces. The speaker finds and loses multiple selves in the breaks and enjambments of Black life as Broaddus experiences it. Together, the poems sound the weird currents of place and belonging.
"These poems are a celebration of, and maybe a map to, the Imagination. The Imagination is their locale. And the speaker of each poem is like Sinbad, facing new and more fabulous wonders as each poem unfolds. Never have you traveled gladly to as many exotic places in a single poem. But mostly, these poems are an absolute delight. With a mysterious Eastern European quickness, an ancient Chinese detached observation, and a little bit of Joe Ceravolo, each of them creates a world unto itself. I happily stepped lightly from one to the next."
— Matthew Rohrer
Broaddus's poetry has the structure of light. History and the individual's place are both both wavy and particulate. The way this poet encapsulates history actually casts it all around like suspended confetti that the speaker and reader move through. Absolutely electric.
— Jessica Lanay
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