167 pages long, Dao Strom’s Instrument is an experiment in multimodal poetics—inhabiting a synergistic blend of poetry, music, and visual art: the artist’s three forms of “voice”. Born in Vietnam and leaving the country at the age of two for Northern California, Strom’s life and work speaks to fragmentation—of/within selves, histories, cultures, groups of people, and places—yet within this configuring lies her art’s fluid mastery. Combining color photography, personal biography and gripping, restless poetry, Instrument represents a unique melding of literature and art. The poems are augmented by an album, Traveler’s Ode, of ambient and folk-tinged songs featuring ethereal assemblages of sung-poetry, vocal layering, spare guitar, piano, and field recordings. Traveler’s Ode is a collaborative release between Fonograf Ed. and Antiquated Future.

Instrument continues the author’s virtuosic exploration of identity, selfhood and refusal–of stasis, of forgetting, of falsity. The book furthers creative and historical material Strom first explored in her books You Will Always Be Someone From Somewhere Else and We Were Meant To Be a Gentle People while simultaneously exploring new directions, modes and fragments.