The Stapler

Dan Rosenberg

For the hole in the aorta of our nation I've got this stapler.For the slow descent of the sky I've got this stapler.For tears pooling in the echo of the dog's sharp bark,for the poor signal tethering grandpa to grandsonand the absence only one of them knows,for the buckled sidewalk in front of the food pantry,for the brown slush in the asparagus bag I've got this stapler.Good news, democracy. Good news, rhinos. I've got this stapler.Sometimes in the small blizzard above my desk two paperswill briefly separate, and there is joy. Sometimes eventhe wallpaper corners peel out into the room and I knowmy stapler isn't what's called for, but it works. It works for now.I watch the lightning batter the clocktower and I grip my stapler.I watch the blood moon rise. With it the dead are risingwith no particular desires as if they've exited the elevatoron the wrong floor. My father's father wanders up to me,working a familiar hat in his bony hands. He spins it slowly.His mouth is a cave of light. I rise from my deskand my head is in the blizzard. My eyes go white.I want to take his hands but I've got this stapler.

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Dan Rosenberg is the author of Bassinet (Carnegie Mellon University Press, 2022), cadabra (Carnegie Mellon University Press, 2015), and The Crushing Organ (Dream Horse Press, 2012). He has also written two chapbooks, Thigh’s Hollow (Omnidawn, 2015) and A Thread of Hands (Tilt Press, 2010), and he co-translated Miklavž Komelj’s Hippodrome (Zephyr Press, 2016). His work has won the American Poetry Journal Book Prize and the Omnidawn Poetry Chapbook Contest. Rosenberg is the chair of the English department at Wells College, where he teaches literature, creative writing, and translation theory. He lives in Ithaca, NY, with his wife, essayist and poet Alicia Rebecca Myers, and their son, Miles. Find more at danrosenberg.us

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Saint Paul, Minnesota

Editor in Chief
William D. Waltz

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Brett Astor

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Kyle Constalie

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William Stobb
Paula Cisewski

Conduit is a biannual literary journal that is at once direct, playful, inventive, irreverent, and darkly beautiful. Despite common sense and the laws of economics, Conduit has been thwarting good taste, progress, and consensus for over twenty years. Conduit publishes distinctive voices of literary merit—experimental to accessible, established to emerging—in snazzy volumes, featuring work that demonstrates originality, intelligence, courage, and humanity. Conduit champions a fresh mix of writers. If that isn’t enough, Conduit reaches beyond the literary by interviewing astronomers, ethno-botanists, artists, graphic artists, and historians, et cetera, believing a vigorous imagination is one that is cross-pollinated by diverse areas of human inquiry.

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