The Creek

Crystal Wilkinson

The women are standing in water to their knees,their dresses wafting out like sheets on a line.This place where burdens wash away in the frantic dark& the women's dresses float like blossoms,a boy is drowning—his head turned toward home, his bodyfacing the farmer's house, where the girl he loves sleeps.She is the farmer's daughter, the girl who hit his head,the one who hoisted that rock, watched his blood ooze out.This is the way you wash your clothes in the creek.This is the way you catch catfish in deep water.This is the way you catch a fish that doesn't want to be caught.This is the way your secrets twist their necks below the surface.The women are standing in water to their kneestheir dresses wafting out like sheets on a line.On the creek bank, a girl runs circles, catching the wind& the women's dresses float like blossoms, they sing prayersfor the boy's mother who stands in her kitchen & cries.The circle of women in the water whisper a prayerfor the girl who tells everybody she loved the boy who died.Her mother stands in the backyard & cries.Their fathers brood in the fields, walking slow as lepers,hearts & houses loaded with grief. A lamentation for all they've lost.I almost drowned once, my grandmother's dress billowed out around herlike a sail. She was my harbor. My lifeboat in our creek.My mother stood on the shore frozen with fear, my father's namemute, his kiss spoiled fruit in her young sweet mouth. A boy's ghosthaunts the creek's edge, dark water ebbing, flowing like a deacon's robe.Does he dream of her hair, her hands? Is he sorry for what he's done?Years later, on nights soaked with teenaged trouble i'd climbout my window, walk to the creek, crying to all who'd listen.The minnows leaped in moonlight while i waited for the boy.By then I'd been raped too but i waited for him to surface.I wanted to ask him questions, wanted to hold court with the moonas witness. I'm here, i said. Come on!They say he was handsome, but the boy never showed himselfunless, of course, he was there all along—in the trees, the wind,in the shadows, in the calling of a far-off bird.At night the creek did scare me, its rush like a boy's whispered threatin a girl's ear. But i didn't flinch, determined to stay, practice.The women are always standing with water to their knees,their dresses billowing out like sheets on a line, standing guard.There was always something roaring in those trees, teeth gnashing,fathers killing boys for the sake of their daughters,eyes glistening in the dark.

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Mecca Gamble

Crystal Wilkinson, a recent fellowship recipient of the Academy of American Poets, is Kentucky’s Poet Laureate. She is the award-winning author of Perfect Black, a collection of poems, and three works of fiction—The Birds of Opulence , Water Street and Blackberries, Blackberries. She is the recipient of a 2022 NAACP Image Award for Outstanding Poetry, a 2021 O. Henry Prize, a 2020 USA Artists Fellowship, and a 2016 Ernest J. Gaines Prize for Literary Excellence. She has received recognition from the Yaddo Foundation, Hedgebrook, The Vermont Studio Center for the Arts, The Hermitage Foundation and others. Her short stories, poems and essays have appeared in numerous journals and anthologies including most recently in The Atlantic, The Kenyon Review, STORY, Agni Literary Journal, Emergence, Oxford American and Southern Cultures. Praise Song for the Kitchen Ghosts, a culinary memoir, is forthcoming from Clarkson Potter/Penguin Random House. She currently teaches at the University of Kentucky where she is Professor of English in the MFA in Creative Writing Program.

Lexington, Kentucky

"Crystal Wilkinson's Perfect Black is powerful witch-work. In these cascading lyrics, Wilkinson casts her glittering net of protection over the bodies and hearts of every Black girl. The poet's past self, 'a girl, not yet trouble,' is a dreamer whose desires—for love and intellectual play, for spiritual radiance and sexual empowerment—still carry sweet potency. Here, Black Rapunzel lets down her miraculous ladders of wisdom and vision, while Black grandmothers and church ladies transform into sailboats, safe harbors. Read this book and swerve, in Wilkinson's 'perfect cursive,' along paths ancestral and deliciously strange."
—Kiki Petrosino, author of White Blood: A Lyric of Virginia

"'I can read time by my own shadow,' Wilkinson writes, and she conjures these heart piercing, authentic poems from the very ground of her life, from the water, from the mountains, from history and memory. It is in every sense a very particular woman we meet in Perfect Black, and it takes the artistry of this very particular poet to also give voice to her forbears, challenge injustice, and offer us a vision of what is possible. Wilkinson's range is astonishing: lyrics, narratives, laments, prayers, reminiscences, and more. Equal parts light and heat, these poems are incandescent."
—Richard Hoffman, author of Noon until Night

"If we are Black it should be Perfect. Crystal has shared a wonderful book. Curl up with a cup of soul and enjoy it."
—Nikki Giovanni

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