“The poems in Huan He’s Sandman are tender observations, evocative myths, and poetic pursuits that gently nudge readers to enter into an intimate dance with the world and ourselves. Through lyrical verve, astute intelligence, and evocative imagination, He’s poems are all at once dream songs and gentle lessons that subtly radiate poetics and politics from the mundane every day and prompts wonder. He’s poetry intervenes in the hum of the capitalistic world by offering a different kind of bestiary that draws from mythology, coming of age themes, and the Asian immigrant diaspora. Reminiscent of the poetic and political writing by Li Young Lee, D.A. Powell, and Maxine Hong Kingston, He’s Sandman marks the debut of a stunning new and important voice in contemporary poetry. He’s quietly daring and transformative poems teach us what we did not know we were hungry for, and these extraordinary poems make us see and feel anew.”
—Margaret Rhee, author of Love, Robot

“The dreamy world of Sandman is a sight to behold, lush with traitorous box thorns and water that can fix a father in time, or what He so aptly describes as ‘a bestiary/ of found things/ wounded.’ At the forefront of this fantasy-filled landscape is a queer boy whose escape into the world of the digital screen allows him to fully make sense of the historical violence committed against Asian Americans in the U.S. from the exploitation of Chinese American labor on the transcontinental railroad to the internment of Japanese Americans during WWII. This debut collection reminds me of how poetry can transform the limitations of mainstream historical narratives of Asian American life. By drawing on an illustrious imagination that paints the wonder and slow horrors of this world with excruciating brightness, He offers another way for us to think about the particulars of Asian American experiences, that which are soft, full of tender kinship, and open.”
—Muriel Leung, author of Imagine Us, The Swarm