Blue Rhapsody

Jodie Hollander

Long before I had to rise for school,I’d hear the deliberate feet of my Fathermoving in the darkness to his piano.Sometimes from my bedroom I could see him,dressed in concert slacks from the night before,a stained undershirt with rips in the pits.I’d drift to sleep and rise again to his musicseeming to fill up our entire house back then.Then as a cold sun rose over Milwaukee,he’d warm the old Nissan in the snowand drive us to school, twitching, sweatingand muttering to himself as cars rushed by.He’d often miss the turn; we’d be late—hurrying from the car, we’d say, I love you,and watch his hunched figure driving away.‘Don’t leave me here; I hate this snobby school,’I’d say, throwing my arms around my sister.She’d pull away, her face suddenly stern,‘Don’t you know what dad has sacrificed?’‘Now let me go’, she’d say, ‘we’re already late.’Standing there, I’d smell the leather couches,see girls in Polo shirts and saddle shoes,still hearing the clash of my Father practicingthat same riff—over and over again,louder and louder as the day wore on,the opening measures of Rhapsody in Blue.

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Photograph of Jodie Hollander
Photo:
Joanna Eldredge Morrissey

Jodie Hollander’s work has appeared in journals such as The Poetry Review, The Yale Review, The Harvard Review, PN Review, The Kenyon Review, Poetry London, The Hudson Review, The Dark Horse, The New Criterion, The Rialto, Verse Daily, The Best Australian Poems of 2011, and The Best Australian Poems of 2015. Her debut full-length collection, My Dark Horses, was published with Liverpool University Press & Oxford University Press in 2017. Her second collection, Nocturne, was published with the Liverpool & Oxford University Press in the spring of 2023. Hollander is the recipient of a MacDowell fellowship and a Fulbright fellowship in South Africa. She is also the originator of ‘Poetry in the Parks,’ in conjunction with several National Parks and Monuments in the US. She currently lives in Flagstaff, Arizona.

Front cover of Nocturne

Liverpool
England

University of Liverpool

"In Jodie Hollander's poems, it is always monsoon season. Things come crashing down from the sky — pianos, coconuts, kangaroos, telephone receivers — into a fragile world, and the poems look up from the debris, changed."
—Caroline Bird

"Jodie Hollander, who may be one of the best poets at work right now, follows up her brilliant My Dark Horses with Nocturne, which continues her hard exploration of generational trauma and familial abuse... Something I found especially moving is the awareness and channelling of her rage, which floored me throughout."
—Juliano Zaffino

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