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Eileen Myles

The centerof theuniverseis here& I continueto readthingsabout millionsof starsabout ice chipsalong theouter rimof the solarsystemandthe namesof moonsthis yearthis yearthat extendsalong themovementsof the skyour crookedearth &our crooked-er sunthe starthat isn’tin the constel-lation ofthe swan. Becausewe are livingin a greyarea nowthere's noreason toassumethat Augustone whenSaturn &Jupiterhave theirlast kisswill haveany thingto do withyou or us.And thefact thatI neverreally neededyou enoughwill notbe so impor-tant. Ilook upin thesky outsideof yourhouseI will noway toread thisendlessblackturningthing overmy headthat Ihave alwaysloved.

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Photo of Eileen Myles
Photo:
Carina Finn

Eileen Myles (they/them) came to New York from Boston in 1974 to be a poet. Their books include a “Working Life”, Pathetic Literature, For Now (an essay/talk about writing), Afterglow (a dog memoir), I Must Be Living Twice: New and Selected Poems, and Chelsea Girls. The Trip, their super-8 puppet road film, can be seen on YouTube. Eileen has received a Guggenheim Fellowship and was recently elected a member of the American Academy of Arts & Letters. They live in New York and Marfa, TX

Cover of a "Working Life"

New York City , New York

“Ruthlessly unguarded, surgically self-parodic and infinitely funny, Myles’s poems chop lines into uncanny units and place our lexicons under an X-ray, turning the familiar into the unfamiliar. Myles evokes the absurd grace of mundane life—coffee, dog, toilet, ex-lover, refrigerator, T-shirt, cat, books, therapy, toaster—but among these quotidian objects and companions, there’s always a spark of surprise, as the sharp philosophical lines stop us in our tracks . . . An indispensable book about friendship and intimacy; I alternately laughed and shivered as I turned the pages.”—Kit Fan, The Guardian

a ‘Working Life’ takes you where Myles feels like, for however long they feel like it, and in whichever direction. This is harder than it looks. The ease of Myles’s lines—the way words break in two to calibrate rhythm and speed, or how the number of words per line expand and single out to play around with tension—belie great skill. But the difference between poets isn’t just style; it’s personality, or one’s outlook on life. Myles’s is one of the most distinctive, and insightful.”—Vulture

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