The end of autumnlowers its leavesin the wealthy residential neighborhoods.Paintings in galleries and private foundationshold some short-lived way of seeinginto misery or love.Those artists believed in power.I should, too.Strangers unman mein a rented studio. And each time, somethingempties out of me,disquieting, delicate. My heartis sulfur, my bodypasty in daylight, the dead my onlyreaders now.The bathroom: the tub, sink, and toilet are empty.We should lock ourselves in here for a whole weekendand not eat or drink.I’m not actually a trapped animal, I could leave,I don’t want to.Let’s play that game where I’m the dead bird from The Hours.A quail chick a hunter puts to sleepto train the dogs.The liver is the seat of lust.You should cut it out of me and eat it.I want poems to be memoriesof my ancestors, calling them back.The end of autumnunfolds in a series of textures and places:rough towels, the laundry,the green walls of a place I belonged to.Stars, slow traffic,the summer I wished you loved meenough to kill me,but not really.The airport outside Berlin,the arms of others.My childhood is over, I only sleep in this bed now.
Armed Cavalier
Feature Date
- December 12, 2023
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Copyright © 2023 by Richie Hofmann.
All rights reserved.
Reproduced by Poetry Daily with permission.
Richie Hofmann is the author of two books of poems, A Hundred Lovers (Alfred A. Knopf, 2022) and Second Empire (Alice James Books, 2015). His poetry appears in The Paris Review, The New Yorker, Poetry, and The Yale Review, and has been honored with the Ruth Lilly and Wallace Stegner fellowships.
Summer 2023
New York, New York
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Emily Stokes
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Kelly Deane McKinney
Poetry Editor
Srikanth Reddy
Since its founding 1953, The Paris Review has been America’s preeminent literary quarterly, dedicated to discovering the best new voices in fiction, nonfiction, and poetry. The Review’s renowned Writers at Work series of interviews is one of the great landmarks of world literature. Hailed by the New York Times as “the most remarkable interviewing project we possess,” the series received a George Polk Award and has been nominated for a Pulitzer Prize. With the December 2016 redesign of the Review’s website, the complete digital archive of everything we’ve published since 1953 is available to subscribers. In November 2017, the Review gave voice to nearly sixty-five years of writing and interviews with the launch of its first-ever podcast, featuring a blend of classic stories and poems, vintage interview recordings, and new work and original readings by the best writers of our time.
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