Precocious

Shawn Hoo

From an early age, I cruisedthe library, mapped the aisles of men'smagazines discreetly. Loosedfrom my mother's orbit, I walked pastshelves of Religion with no endin sight, and then fantasised—chiselledvolumes sweating back to back. I swervedand saw a librarian reach for the highesttome. Detoured to meet my mother's readingglasses lower, saying go home, I turnedthe page to feign the plot is riveting. Alone,at last and lowered into cushion, I lay underthe shade of an ordinary shelf. For years,I lay there thinking I don’t want to be lefton the shelves which grew heavier with bookseach year unread and then: The InvisibleManuscript. That red hibiscus lollinglike a tongue or a wet steak profferingits pistil. Plenitude of perversitiesthat each cover prophesies. I flippedand (here boys were making love undermosquito nets, spun like / helicopter blades)my fingers came so close to tastingpunctuation. As if in each pollenthe poet permitted us: Go forthand multiply. Go forth. Multiply.

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Headshot of Shawn Hoo

Shawn Hoo’s debut chapbook is Of the Florids (Diode Editions, 2022), which received the Medal Provocateur – awarded “to the best on the frontier of poetry” – and was named the winner of the chapbook category at the 2023 Eric Hoffer Award. His poems can be found in New Singapore Poetries (Gaudy Boy, 2022) and translations in Exchanges: Journal of Literary Translation and PR&TA. A former Translation Tuesdays Editor at Asymptote, he is from Singapore.

Cover of "of the Florids"

Richmond, Virginia

"If poetry be that sly accomplice to taxonomy, its fall guy, its wingman, its muse, then what a bird of a book Of the Florids is—meaning it makes a ruckus, ruffles our feathers, and unlocks the cage that is language so that we might be set free. What a wild, worldly, ravishing collection this is!"

—LAWRENCE LACAMBRA YPIL, author of The Experiment of the Tropics, Winner of the Gaudy Boy Poetry Book Prize

"In this sequence of erudite and startlingly lucid poems, Shawn Hoo asks us to behold the gulf between knowledge systems and the slipperiness of visual representations and mental events. He presents scenes from the writing of natural history in archipelagic Southeast Asia, opening them up on the bench, as it were, to examine the vital organs of language, memory, power, and desire, still very much alive within them. It seems to me that each poem operates like a small machine whittling down the raw material of history into something like a razor. But the effect is not one of reduction or spareness. Hoo’s thematizations of nonhuman life—indeed, that which is unseen and speculated upon—sparkle like new instruments for inquiry and imagination. I felt transformed, after encountering the referentiality and mystery of this set of poems, into a kind of early-modern florilegium, upon which the wisdom of multiple botanical, aqueous, and geological realms have been impressed."

—SAMUEL LEE, author of A Field Guide to Supermarkets in Singapore, Winner of the Singapore Literature Prize for English Poetry

"Hoo drops language into the caldron of natural history, causing it to overflow into complicit etymologies and complex heredities. With close, yet inventive, attention to the animal, insect, and plant life of his home, Singapore, and its surrounding Southeast Asia, all always at the mercy of the human, Hoo turns natural history inside-out to reveal its entirely human construction. Focused on the intersection of history and ecology, this compelling work acts as a call to responsibility."

—COLE SWENSEN, author of Art in Time and On Walking On

 

"Shawn Hoo’s Of the Florids showcases the interception of hyperactive language and concepts. These ambitious poems are like a turnstile that refuses to remain still. History, the body, cultures, the pastoral, the urban: poems in this collection glitter and make their mark in these thematic trajectories. 'The florids are the sparring grounds of rootless epics,' as Hoo’s words turn into futuristic architectures erecting in a challenging reality no one quite knows how has come into being."

—NICHOLAS WONG, author of Besiege Me and Crevasse , Winner of the Lambda Literary Award for Gay Poetry

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