Inside every woman is a snake. Some think I’m a hoax or an oddity,rarer than winning Powerball or being struck by lightning. Everythinghas a form, even doubt. Think of me as someone you’ve met in a dream.Green stalks shade the sun, keep me hidden from the villagers,the nonbelievers. To find me you must enter me. Oh,that your body fits into my body makes us unholy. Let me pressmy mouth to your scar, run my tongue along your flesh so I can tastehow you wound. The wild boars patrolling the edges won’t save you.Footprints. Flashlight. Machete. Slippers. All that I’ve left behind.Inside every snake is a woman. That’s the part of me I love the most—reticulated constrictor, word made flesh, time unfolding, lore or legend,I am done telling the kinder story. I am a myth of my own making.Part my snake flesh and you will find me intact, clothed as I waswhen I visited the corn. Think of me as the gift you’ re unsure how to open.
Woman Swallowed by a Python in Her Cornfield
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- April 4, 2024
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“Woman Swallowed by a Python in Her Cornfield” from Glitter Road: by January Gill O’Neil.
Published by CavanKerry Press on February 6th, 2024 .
Copyright © 2024 by January Gill O’Neil.
All rights reserved.
Reproduced by Poetry Daily with permission.
January Gill O’Neil is an associate professor at Salem State University and the author of Glitter Road (February 2024), Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she served as the executive director of the Massachusetts Poetry Festival. Her poems and articles have appeared in The New York Times Magazine, the Academy of American Poets’ Poem-A-Day series, American Poetry Review, Poetry, and Sierra magazine, among others. Her poem, “At the Rededication of the Emmett Till Memorial,” was a co-winner of the 2022 Allen Ginsberg Poetry award from the Poetry Center at Passaic County Community College. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O’Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi, Oxford. She currently serves as the 2022-2024 board chair of the Association of Writers and Writing Programs (AWP).
In Glitter Road, the brilliant and beautiful collection of poems by January Gill O’Neil, we are taken from truth to tenderness, old love to new love, the Northeast to the Deep South, and everywhere in between. The engaging lyric forms move seamlessly from Tina Turner to the legacy of Emmett Till to cartwheels, to a Hallmark card that hasn’t been invented yet, and into John Grisham’s bed. O’Neil writes, “I’ll take my miracles however they appear / these days”—and how can we not praise the wounded world with her? Whether writing about Blackness, body, family, nature or nurture, love or loss, these poems always keep a sense of hope and humor. Glitter Road sparkles and dazzles me, then wrings out my heart in the very best way. And as O’Neil writes, “If at 4 a.m. you find yourself awake and alone, / curled up in your half-empty bed under a flashlight’s / white light reading a poem . . . regret nothing.” I will tell you: you won’t. These are the poems you need on your nightstand because this is a book you won’t be able to put down. Rich with history and herstory, these stunning and striking poems are intimate, honest, and always engaging. I cannot recommend this collection enough. Glitter Road is O’Neil’s most powerful book yet.
—Kelli Russell Agodon, author of Dialogues with Rising Tides
The alluring poems in Glitter Road delve into past heartbreaks and the exquisite joy of family and newfound love in a constantly changing world. In sure and talented hands like O’Neil’s, vibrant landscapes whirl, take root, and break bread with ghosts. It’s clear these heart-filled poems will have a full and magnificent life of their own.
—Aimee Nezhukumatathil, author of World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments
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