A Stain on All Our Houses

Daniel Khalastchi

First it was the Realtor knockingquick against our door asking whenwe planned on leaving. Why would            we be leaving? we asked, and then            she pointed to the stain. Next            it was the neighbor drilling through            the tasteless sheetrock saying he            was eager to expand now that we            were finally vacating. Why would webe vacating? we asked, and then he pointedto the Realtor, who pointed tothe stain. Then it was the census            taker standing by our open window            calmly stating that given recent errors            in statistical significance she required            names and ages of those living in the            dwelling since we were no longer            tenants. Why aren’t we thetenants? we asked, and she pointedto the neighbor, who pointedto the Realtor, who pointed to            the stain. After that it was the weather-            man, the barre instructor, the pundit            held in heels; it was the gallery            curator, the food deliverer, the barista            spelling names; it was the metro            guard, the hardware hand, thechild hauling kitty litter for theSenator; it was the Senator, theSenator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, theSenator, the Senator, the Senator, theSenator, the Senator, the Senator, theSenator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, the            Senator, the Senator, the Senator, theSenator, the Senator, the Senator, and theretired ophthalmologist making sure wesaw the stain. It was crowded in our            apartment, in the hallway, in            the stairs. Taking out the paperwork, the            Realtor said that even with the stain            nothing saved us from the closing            costs. Why are we what’s closing? we asked. Everyone            stepped closer to see what we would do.

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Daniel Khalastchi is an Iraqi Jewish American, a graduate of the Iowa Writers’ Workshop, and a former fellow at the Fine Arts Work Center in Provincetown. He is the author of three previous books of poetry—Manoleria, Tradition, and American Parables—and lives in Iowa City, where he directs the University of Iowa’s Magid Center for Writing.

cover of The Story of Your Obstinate Survival

Madison, Wisconsin

University of Wisconsin Press

“When The Story of Your Obstinate Survival begins, the speaker—let’s say there’s just one speaker—of the poems has been dislocated from their body by an act perpetrated or instigated by a figure known only as the Senator, though it isn’t immediately apparent that the Senator is responsible. The rest of the book reads like the speaker’s attempt to sing their way back to oneness with their body, and though the attempt is colored by bewilderment, anger, and sorrow, it is as rich with music as any poetry being written today. The Story of Your Obstinate Survival is a triumph of song.”

— Shane McCrae

“Despite the personal and collective turmoil that stand back of Daniel Khalastchi’s The Story of Your Obstinate Survival, the writing from poem to poem, line to line, is animated by linguistic joy and an almost madcap surrealism and humor that somehow manage to confront without prettifying or flinching from the nightmare of history, even while showing us how to maintain emotional and spiritual poise at the darkest of times.”

— Alan Shapiro

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