Pupusas

Reyes Ramirez

the pupusa is a portrait            of an honest earth:                        the coarse burns continents,            the auroral dough a sea.water joined masa through tumult            & sphered, flattened then crowned,                        filled with meat & milk then smoothed,            heat birthed & bitten.no, the pupusa is an homage            to the laborer’s backhand                        where scars simmer & settle,            strawberry skin browns.sweated flesh crackles on steaming metal,            grease singing smoke loud then sweet over & over,                        flipped & rested, an iris weepy then dry,            ashen islands form & a back stiffens.no, the pupusa is a documentation            of every pecado,                        the taut pink palate            a receipt for indulgence.a sheet of young wood pulp dims,            then an emergence of weighty shadows.                        a sycamore pith rises & splits            & spits a globe of queso.no, the pupusa is a bulging mirror            to this sleepless face. examine                        the wrinkle bowls under each eye & find            another tired eye under another tired eye.the cream sol bulges then sombers,            sunspots & scabs black;                        what can this light nourish            but a body ripe with eonic exhaustion?no, the pupusa is a portrait            of this life, crusting & breaking                        with every lick & tooth, the desire & gift            of jarabe yielding to the shape of a belly.crack open the soft disc egg            & study its ivory thick blood & tender marron,                        stretching like a timeline of grief,            & lap the fresh veins.

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Reyes Ramirez (he/him) is a Houstonian, writer, educator, curator, and organizer of Mexican and Salvadoran descent. He authored the short story collection The Book of Wanderers (2022), a 2023 Young Lions Fiction Award Finalist, and the poetry collection El Rey of Gold Teeth (2023), a finalist for the 2024 Texas Institute of Letters Award for Best First Book of Poetry. His latest curatorial project, The Houston Artist Speaks Through Grids, explores the use of grids in contemporary Houston art, literature, history, and politics. Reyes has been honored as a 2020 CantoMundo Fellow, 2021 Interchange Artist Grant Fellow, 2022 Crosstown Arts Writer in Residence, 2023 Intercultural Leadership Institute Fellow, 2023 Dobie Paisano Fellow, 2024 Speculative Play and Just Futurities Fellow and awarded grants from the Houston Arts Alliance, Poets & Writers, and The Warhol Foundation’s Idea Fund.

cover of El Rey of Gold Teeth

Spartanburg, South Carolina

"Reyes Ramirez writes poems that radiate wonder and surprise. El Rey of Gold Teeth takes us on a young man’s journey toward self—a mission to find his voice in a Texas household enriched and sometimes embattled by Mexican and Salvadoran culture and history. By mapping family memory and examining his encounters, struggles and triumphs in a chaotic American landscape, he also finds his place in the broken world and a purpose as the scribe, keeper of the stories."
— Rigoberto González

"In this dynamic collection, Reyes Ramirez uses poetry to travel through time and memory to reconstruct a family history across borders and languages, through the personal, the cultural, and the political. These poems are deft and fresh in their linguistic complexity, and the boundaries of the constructs of 'America,' 'home,' and 'lineage' are dissolved as this book reveals the truth of being 'other' in any place which seeks to erase us. It's a remarkable debut."
— Ashley M. Jones

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