of Light (excerpt)

Danielle Vogel

What is time when the body can hold the experience of another’s living?
In what time does healing occur?

,

 
I’m in my grandparent’s basement. My childhood self is hiding and doesn’t want to be found. I go upstairs, no one seems to be home, so I walk through all the rooms. I sit down at the desk to write myself a letter to find later. In the kitchen, the green rotary phone. I want to call my aunt, but I’m not sure what time I’m in. My grandparents, my mother, and I come in from shopping. They unpack their bags as if I’m not there. They’re cutting up a loaf of semolina, salting the warm mozzarella. My grandfather is about to make sauce from the garden’s plum tomatoes. I’m watching them eat. I’d like to stay. My childhood self is eating chunks of pecorino. Broccoli rabe. I can’t hear what they’re saying. They don’t see me.

I look around the backyard at all the places I love. The gnarled knuckles of the crab apple trees. The statue of Mary in the crescent of cedars I like to talk to. The place where only moss will grow. The ugly dog next door.

I ask my mother if she’d like to go for a drive. There’s a loop—we’re backing out of the driveway—it’s taking a long time to happen. I’m nervous because I don’t want to fight with her. The scene is stuck, she is not really there. I grab her by the arms. I’m shaking her. Yelling. Why isn’t she seeing me. I feel overwhelmed yelling her name, Mom, over and over again. She pales, disappears and I’m left throwing a tantrum by myself.

,

 
Transfixed together. Rooted in a delicate, invisible repatterning of light.

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Danielle Vogel is a poet and interdisciplinary artist working at the intersections of queer and feminist ecologies, somatics, and ceremony. She is the author of A Library of Light, Edges & Fray, The Way a Line Hallucinates Its Own Linearity, and Between Grammars. Vogel is associate professor at Wesleyan University where she teaches workshops in innovative poetics, memory and memoir, hybrid forms, and composing across the arts. She lives in the Connecticut River Valley with her partner, the writer and artist Renee Gladman, where she also runs a private practice as an herbalist and flower essence practitioner. danielle-vogel.com

Cover of the book "A Library of Light"

Middleton, Connecticut

Wesleyan University

"Danielle Vogel is an alchemist of language, time, and the body. Reading A Library of Light, I almost expected my thoughts to materialize in front of me. What a strange, intense pleasure it is to feel the categories dissolving, to be allowed to accompany Vogel in her journey 'through the door of [her] mother's body' and into all the light she both finds and makes beyond."
—Heather Christle, author of The Crying Book

"This gorgeous elegy and meditation on light moves into hidden interiors and considers essential questions of love, loss, and self as frequency or vibration. Vogel consults the library of light, revisiting a psychic silence, a death, shards of memory and intergenerational trauma through a vantage of multi-dimensional being."
—Laynie Brown, author of The Poet's Novel

"A Library of Light is a fascinating book in which language comes out of both 'light' and 'wreckage.' It is also a compassionate reflection on self-integration, architecture, sight, vision, and illumination, built from the affordances of language."
—Prageeta Sharma, author of Grief Sequence

"Every instant for writing is acknowledged as a blessing, in a book wrought with tenderness and care. Danielle Vogel's A Library of Light is a rare book burnt of excess, with the body's larger shape inhering in its austere bones. "
—Sylee Gore, Poetry Foundation

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