María Magdalena

Spencer Reece

For Laura García-Lorca De Los Ríos

        I kept vigil. Preferred shadows.When I spoke, a man interrupted me.Someone called me a bitch. The birdon the branch then suddenly, it’s gone.I forgot your name. Yelled from a ditch.You’ve no idea what it was like.Occupied my sex, barely, but—        Remember the rain?The tree in silence, but suddenly,the wind. Some talked about the past.Whatever was the point of it all?I held on through such argument!Wished I winced less, but—I was alone. The moon fondled me.Was thrilled to be fondled. I achedin the arches of my feet. I was wrong—About much.                                Believing I was alone. . .I lingered, planted a garden,hammered in stakes with names.We waited. God did we wait.I washed cutlery to make a music.Complicated the horizon like a lilac.No one noticed me. Not really.Which was a relief.        A bird in the wind—brings the memory of you back.Suddenly I see with the light of your eyes.My country? Did I have a country?¿Mi pais? ¿Tuve un país?Stupid to bank on belonging,I always knew that. I belonged to the Lord.People laughed when I said that.I no longer cared.        When my nailed human was free,                                                                                    I left. 

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Black and white headshot of poet Spencer Reece

Spencer Reece is the canon and rector of St. Paul’s Episcopal Church, a historic parish founded in 1706 in Wickford, Rhode Island. He is the author of two previous books of poetry: The Clerk’s Tale and The Road to Emmaus. In 2017, he was the editor of a bilingual anthology of poems by the rescued girls of Our Little Roses in San Pedro Sula, Honduras, entitled Counting Time Like People Count Stars. In 2021, he published a poet’s memoir entitled, The Secret Gospel of Mark, an autobiography driven by the praise of the poets who saved his life. In that same year, he published a book of his watercolors, All The Beauty Still Left.

Cover of Spencer Reece's book, Acts

NY, New York

Macmillan Publishers

"The excellent latest from Reece is immersed in a faithful, but not unquestioning, lyricism, in part inflected by his life as a priest . . . Righteousness and puritanism are the enemy in these pages, and a leavening wit seeks to amplify, and deepen, an erotic of piety . . .These poems are generously companionable hymns of delight in service."
Publishers Weekly (starred review)

"For Reece, the challenge is to write the words as lovingly as he is supposed to perform the acts the words describe, but which are wordless. The best poems in this collection enact this paradox, which is nowhere near as simple as it sounds."
—Michael Autrey, Booklist

“'. . . when you / become a ghost in one world you become / a guest in another. . .' Spencer Reece writes poems of deep searching—haunted, haunting meditations on what it feels like to be in and out of place. In this book absence and presence are never quite opposites, and a quest for the meanings of home nurtures a lyricism of rare and beautiful combinations: perplexity and wisdom, desirousness and patience, risk and restraint. Acts is–in the full sense of the word—a blessing."
—Matthew Bevis, author of Wordsworth's Fun

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