Locura Azul
Author’s Note:
I was heartbroken writing these. It was a moment of being generally pissed off with the writing world and my process. A concept of mine for another collection of poems had been re-appropriated. Amid the anger of that moment, I was falling in love with contrapuntals, the poems of Miguel James and Miyó Vestrini, translation, and the canvas. I pushed myself to make a form so weird it could not be imitated, and these bilingual contrapuntal paint erasures were born. I wanted to surprise myself. Workshopping these little oceans in rooms full of more formalist poets, I felt misunderstood but it made me happy to be playing with this kind of fragmentation. The Locura Azul suite, named after a song by Cuban filin group Los Zafiros, are an attempt to write “poems that are the sea.” I don’t know if I succeeded. I know them as an attempt, a glimmering broken blue gem, something like the ever-shifting coastlines I grew up on and am forever chasing.
Feature Date
- June 21, 2024
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Copyright © 2024 by E.R. Pulgar.
All rights reserved.
Reproduced by Poetry Daily with permission.
Acudus Aranyian
E.R. Pulgar is a Venezuelan American poet, translator, and music journalist. Their poems and translations have appeared in Fence, Changes Review, Epiphany, PANK, and The Poetry Project Newsletter. They have published two chapbooks: Sonnet to the Serpent and Other Poems (Wonder Press) and a translation of Venezuelan poet Isadoro Saturno’s Dear Parent or Guardian (Ugly Duckling Presse). The curator of the Bowery Poetry Club’s reading series Endless Blue (2020-2023), they were a finalist for the 7th Rafael Cadenas Young Poets Prize.
TILT exhibits poetic work that resists the technological monopoly of the page. As counteraction, we welcome poetics of a rarer form, such as advertisements, analytics, animation, calculus, clown, collage, concrete poems, covers, dances, data, diagrams, games, gifs, economics, happenings, improv, magic, maps, parody, performance, poets theater, prop work, recipes, sketch comedy, soundscapes, stand-up, textiles, textless poems, websites, videos, visuals, and all things unfit or impossible to print. The TILT mechanism engages when the poetry machine is being lifted, tilted, or shaken beyond an acceptable level.
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