A small disunified theory

heidi andrea restrepo rhodes

After Leslie Jamison

We've gone pale all over, a capital drainthrough which forever is stripped of its or—manufactured selection reduced to fever.The fetish of radiant tragedies, handmaidensdressed in collateral adjectives. Aren't werendered a menagerie? A dilutedzoomorphic palette, our racked bodies, kittens& rabbits & sunsets & sordid red satingoddesses. The altar a pedestaled cage. Our hairfeeds the fibrous needs of the heavens. Queensof miserable. It says all this here, in the doctor'sscript, his terrible cursive. Patriarchy's bloat& interlock. Exploit & cramp.We ailment & scorn. Barely a sign, thesebroken hearts, broken bones, broken lungs. Caughtin centuries of wound, ever afterof the world. Its rhythms of subjugation.The body is simply an extension, a spasmof the wound. The world. The choral refrainof experts: it's all in our headsin our heads      in our heads.The choral refrain of despots& hoarders of gain, of gatekeepers &too many men: it's all in our headsin our heads      in our heads       in ourheads. Let the body speak (of its illnesses, itsdispossessions), declare its stolen. Let the bodysay it for you. A crown-to-heel testimony,inflammatory indeed.Summon the memory, the nebulousconditions of our devastation. Summonthe acute & chronic aftermath. The throb& burn of aperture & rift. Drastic shapescall for what will be deemed drastic measures:from the outside, orchestral noise abounds.We know how to handle each other'sblood. How to butter our bread.I learn the names of your mothers, you mine.Study the sounds of your dispossessions,the pace of your pulse under upheaval,laughter masking stiff tissue form. I your& you mine, I your & you mine.Our wounds, our bodies & their becomings.A fetal universe in lambent hungers.A snow early & long in the arms, but herewe are, coruscating against invasion,vining our way up through it.A mess of aching limbs devoted to the light.Staggering, isn't it?How improbable we are.

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heidi andrea restrepo rhodes (they/them) is a queer, disabled, brown/Colombian, writer, scholar, educator, and cultural worker. Their poetry collection, The Inheritance of Haunting (University of Notre Dame Press, 2019) won the 2018 Andrés Montoya Poetry Prize. Their chapbook, Ephemeral, was the 2022 winner of the Lorca Latinx Poetry Prize and is forthcoming with EcoTheo Collective. They are a 2023 recipient of the Creative Capital Award, a VONA Alum, and have received poetry fellowships from Zoeglossia, CantoMundo, Radar, and Yale’s Center for the Study of Race, Indigeneity, and Transnational Migration. Their poetry and creative non-fiction have been published in American Poetry Review, The Normal School, Poetry, and Waxwing, among other places. They currently live in California.

Santa Ana, California

Wet Sands is a zine edited by Mónica Teresa Ortiz and published by LibroMobile Arts Cooperative (LMAC), a small sized, hybrid nonprofit organization established in 2016 by local author Sarah Rafael García in Santa Ana, California. It was initiated through support from its fiscal agent Red Salmon Arts, a partner hybrid nonprofit organization based in Austin, Texas, and a five-thousand-dollar Investing in the Arts Grant by the City of Santa Ana. Although started with a minimal amount of funding, the hybrid nonprofit organization serves as the only literary arts cultural center for approximately 300K+ residents in the City of Santa Ana of which 80% are Latina/o/x as part of Orange County that is 60% people of color.

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