Auto-Immune

Destiny O. Birdsong

Because there are no disposal laws for syringes                in this state, I keep a bleach jug packed with syringes.Once, in a dry-lipped fugue, I dropped two pens                in a new one; now the laundry is blood-fracked with syringes.Even so, I believe it’s clean coming out of the dryer.                The white-coated vampire states it as fact: syringesrinse the surgeries away. She’s got a house to feed,                where tiny mouths drool fluid like primed syringes.I’m not dying yet, but she wants to be sure.                She asks me to deliver a ransom of syringes.Labs, she calls them: needle-nosed hounds dispatched                by her keyboard; she doesn’t actually handle syringes.Instead, she sends me to a different wing. The phlebotomists                thump the anticoagulant in my syringes:stop telling people that ain’t your hair when you bought it.                They pull blood but inject beauty—compassionate syringes.On the drive home, the guardrails look like casket lowerers;                lane markings, a mortician’s stitch; the cars blunt syringeshunting out home, the vena cava, in which I brine                a life, my flesh as seasoned by syringesas my mother’s holiday turkeys. I’m suspended between                every ancestor who lived or treasoned with syringes.Their ghosts OD in my dreams; riddled with holes,                they beg me to remember their names. I ask which syringescould bring them back to life. I awaken                to track marks under my nose. A new plot of syringesdampens on the front steps. I am destined to infuse                survival with meaning, like honey clotting in syringes.

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Hunter Armistead

Destiny O. Birdsong is a Louisiana-born poet, essayist, and fiction writer who lives and writes in Nashville, Tennessee. Her work has either appeared or is forthcoming in The Paris Review, CatapultThe BreakBeat Poets Presents: Black Girl Magic, and elsewhere. Her critical work recently appeared in African American Review and The Cambridge Companion to Transnational American Literature. Destiny has won the Academy of American Poets Prize, Naugatuck River Review’s 2016 Poetry Contest, Meridian’s 2017 “Borders” Contest in Poetry, and the Richard G. Peterson Poetry Prize from Crab Orchard Review (2019).

She has received support from Cave Canem, Callaloo, Jack Jones Literary Arts, Pink Door, MacDowell, The Ragdale Foundation, and Tin House, where she was a 2018 Summer Workshop Scholar. Her debut poetry collection, Negotiations, was published by Tin House Books in October 2020, and her debut novel is forthcoming from Grand Central in February 2022.

Portland, Oregon

A Best Book of the Year at BuzzFeed, Refinery29, and more

“Stunning. . . . A powerful paean to Black womanhood—to resilience, and, especially, triumph.”
Refinery29

“Destiny O. Birdsong is a phenomenal poet. . . . Negotiations signals the arrival of a voice we should all be paying attention to, one that thoughtfully and purposefully broadens our thinking about the interiority of Black women’s lives.”
Bitch

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