Over Skype, I try to document my mother’sbald-shaved youth — she has a surplus in truths,and science has proven what it had to prove:every helicopter-screech I dreamed of was my mother’s first.Rippling my dumb hand, I wake up in childhood’s crypt,where prayer is keyless as a foreign laugh overheardand on the Masjid’s cobalt globe a ghost…an angel?No, no…who am I kidding. When I say God,what I mean is: I can barely stand to lookat my mother’s face. So, what if I’ve never seenwhat she’s seen. I took the shape of her two hundredand six bones — I did not choose her eyes. Did notchoose to masticate the ash of witness,her crooked smile disclosing a swarm of flies,Yes, missiles hailed there, named after ancient gods.Hera — a word of disputed root — maybe from Erate,beloved. And because my beloved is not a personbut a place in a headline I point to and avert my gaze,I can now ask: would I have given up my mother for an alyssuminstead of asylum? Or one glass of water that did notcontain war? Her wound isn’t mine, yet what I needed mostwas our roof to collapse on her like earth around stones.Rain, the hard absence of skin. The silence of it —no gust in my goddess. No artificial wind.
Can You Describe Your Years in Prison?
Feature Date
- August 18, 2019
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Copyright © 2019 by Aria Aber
All rights reserved.
Reproduced by Poetry Daily with permission.
Mar/Apr 2019
Gambier, Ohio
Kenyon College
The David F. Banks Editor
Nicole Terez Dutton
Managing Editor
Abigail Wadsworth Serfass
Associate Editor
Sergei Lobanov-Rostovsky
Poetry Editor
David Baker
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