Christina Beyond the Curtain
Lord, all my desire is before Thee, and my groaning is not hid from Thee.
—Christina of Markyate
Carved from the dove in my mother's sleeve I rode the first breath of November, reins wrapped thricearound my pickled thumbs. How many months did I dream in red and light, howmany hours did my ear sojourn to the rhythm of her yellow tongue?As a girl, like a girl, I held silk synonymouswith dirt, whispered plum-somethings to God in the armpit of my pillow—what I tell him cannot be caught by man: grace is a cupboard discoveredbackward, the Lord's love softer than a dish of forgotten butter.With one nail I lured the wood from the door, left the shape of the cross in my stead. With another nail, I hungbehind a tapestry while a suitor sought by lust to paint medead. Against my shift, that stitched menagerie, most menacing the martyr red of blunt-faced poppies, the glint of the wood anemone. In the heart of the foliage I know there roosts a snake-necked fowl—its tail a green heaven hosting a hundred watchful eyes, as blue as night beading the rosary between my thighs.
Feature Date
- August 17, 2024
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Copyright © 2024 by Kale Hensley.
All rights reserved.
Reproduced by Poetry Daily with permission.
No. 120
Seattle, Washington
Center for Religious Humanism
Seattle Pacific University
Editor in Chief
James K.A. Smith
Poetry Editor
Shane McCrae
Founding Editor
Gregory Wolfe
Image was founded in 1989 to demonstrate the continued vitality and diversity of contemporary art and literature that engage with the religious traditions of Western culture. Now one of the leading literary journals published in English, it is read all over the world—and forms the nexus of a warm and active community.
We believe that the great art that has emerged from these faith traditions is dramatic, not didactic—incarnational, not abstract. And so our focus has been on works of imagination that embody a spiritual struggle, like Jacob wrestling with the angel. In our pages the larger questions of existence intersect with what the poet Albert Goldbarth calls the “greasy doorknobs and salty tearducts” of our everyday lives. Learn more at imagejournal.org
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