Daybreak

Daisy Fried

Helicopters sang out in the South Philly skyAnd morning wind blew branches against our windows.It was the hour my dream swarmTwisted me pale on my pillow;When like a bloodshot eye darting and twitching,The last lamp stained the day incarnadine;Where, trapped in my surly bodyI recast the battle between lamp and dayAs my struggle between intention and accident,And like a face wiped dry by breezes,The air was full of thrilling, fleeing things—Anger, Change—I was tired of writing, or you were,You were tired of fucking, or I was.This and that torched boutique sent up smoke.Somebody heaved a planter into another store window.The shopkeeper put the safety back on his sidearm,With stinging eyes dialed his insurance adjuster.Someone danced on a police car.Someone blew up an ATM and his hand off with.Women who forgot to stop bearing childrenMopped their brows and chewed on ice,It was the hour when, sweating and starving,They gave birth to their latest moaning and cursing;Like a sob cut short by foaming blood,A siren, another, tore through the fabric of morning;Buildings snuffled like marine mammalsBedded down in smog sea.Old ones in nursing homes, their minds gone,Hawked up last juddering breaths.They'd been abandonedAs I sometimes wish to abandon you.Someone crept home, broken by stupidity.Shivery Dawn in her green-pink shiftCrawls up the Schuylkill, into the parklands.Angry Philly, rubbing her eyes,Grabs up her tools again, that old worker.

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Daisy Fried is the author of four books of poems: The Year the City Emptied, Women’s Poetry: Poems and Advice, My Brother is Getting Arrested Again, and She Didn’t Mean to Do It. She has been awarded Guggenheim, Hodder and Pew Fellowships. She is a poetry critic, poetry editor for the journal Scoundrel Time and a member of the faculty of the Warren Wilson College MFA Program for Writers.

Cover of the year the city emptied

Chicago, Illinois

"There's a lot of fake anger out there, masking dangerous fear. Daisy Fried gives us the real thing: anger born of despair, love, desire, injustice, and loss. She's a grave robber, revivifying the corpse of Baudelaire to mess with him and help her to cope. His ghoulish presence accompanies her as she haunts Philadelphia, 'that old worker,' recording riots, suffering, stench. This book has killer atmosphere, fragrances fine and foul. It growls with the cavernous hunger of our 'graveyard Nation' mid-pandemic. But the calm center of THE YEAR THE CITY EMPTIED is Fried's dying husband. Just try and read his last lucid words, swansong of a lost world, without choking up."
—Jennifer Moxley

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