Death Style 2 . 8 . 21                                                               Mary Magdalene, Collectible Glasses

Joyelle McSweeney

like a fop I arrivedat dawn to the wardmy watch fob on my vestchained like a bird at my breastas if a bird could be a shield against Time’s advancea bullwark against Time’sconsequencea bullword drew closerabove the doctor’s headtook the shape of a cloudtried to omenize the futuretried to piss it out like rainas the doctor dragged the bed between usand launched bad news across itI watched the soundcloudflood the port and then arriveall out of ordera swelling cloud, a swelling tidea crowd a chordsome welling that could fill a roomthen capsizeI was the room or in ittho I comprehendeth it notlike when I arrivedto the dell at dawnto find my lover gonefrom his grave in the cavemy eye tongued the holein the roof of the mouthof the thought blown backfrom the blast of that thoughtthe rock aghastglastnost at lasta collectible glassfor each unsurfeitablefountain of cokehung shattered in the airin dropletted burdenone minute pastI went agape and agogI imitated the rockbut comprehendeth notI imitated the rockbut comprehendeth notas soda flew without stoppingfrom the side of the rockit grew a little bitterand a little more badeach day as two drainsflew like buttressesdown from the baby’s gutas devils flee heavenor an eightpound goth-ic cathedral where bad news rosethrough a gothic rosewindow then changedto a cloud and rainedon every baby’s breath in the gladebent down all under the welterweight of water each fox-bell went under each petaledhuman humhum lumen-lantern thus snuffed outa bad deal I drank downwith my hands in my mouthI imitated the clownwho imitated the mousewho lived in the clocklike it said in the songI was right twice a daymarched out and struckmyself in the facethe rest of the timeI imitated the drainI did the limited editionimitation drain

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Headshot of Joyelle McSweeney

Joyelle McSweeney’s tenth book, Death Styles, is now available from Nightboat Books. A Guggenheim fellow among other honors, McSweeney teaches at Notre Dame and is a founding editor of the international press, Action Books.

Cover of Death Styles Joyelle McSweeney

Brooklyn, New York

"In Death Styles, Joyelle McSweeney summons for contemporary poetry the poetic force and historical reckoning of the baroque. Her mantic ear reminds us that the baroque is not an aesthetic of bewilderment so much as it is a reckoning with those conditions of lost authority, endangered offerings, the sovereignty of exception, and the debts of death that bewilder our searches for the ancient dawn. This work of daily midwestern catoptromancy by a poet who sees with her ears her incident irradiance is as brilliantly brutal as history itself."

— Edgar Garcia

"One is a mother, able to show the reality of the world without sugarcoating it. One learns to decipher the path toward that destination with her daughters’ minds in tow. One migrates among circumstances, studying the position of the sun, the Milky Way, and the social pressures, compounded by everyday violence, that will overcome our daughters. It’s neither a coincidence nor a simple, respectable manifestation of love that Death Styles, by Joyelle McSweeney, is dedicated to her daughters. It’s difficult to observe oneself and the irremediable social absurdity that one is supposed to represent through motherly love. The obviousness of (supposed) womanhood, the death of creativity intertwined with privilege, the suffering of ordinary life, its responsibilities, the guilt of living in a gilded cage, or the cage of motherhood: all these themes traverse the poetics of Joyelle McSweeney and forge, together, a terrifying, beautiful, utterly singular book."

— Dolores Dorantes

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