A couple go scuba diving and by accident,get left behind in the water. The boat roars off.And there they float, in full gear and disbelief,tanks low on air, stranded in a seamless blue,deciding if they can survive until the next day, which,of course, they cannot, because the average personcan only tread four hours without a life jacket.The couple bicker: Why did we go on this vacation?Why did you choose this company? Why did I choose you?And even when it’s too late, with fatigue buildingin their arms and waves buoying their bodieslike a whipped dessert, they make their case of a soulmategone wrong. Because a real love story would never end like this.Eventually, the couple must choose their deaths.One removes their suit and slips into hypothermic sleep,and the other cuts and spills blood to entice a shark.Both choices tell us something about our protagonists,who are maybe not even our protagonists sincethey are so bitter one cannot fully root for them.See, the logic of a couple is like a Beckett play.Facing the end, you don’t want someone with youfor comfort. You want someone with you to blame.Jesus, I reply, and cut my steak like a heart.
Dinner with Jack
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- August 11, 2023
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“Dinner with Jack” from I DO EVERYTHING I’M TOLD: by Megan Fernandes.
Published by Tin House June 20, 2023.
Copyright © 2023 by Megan Fernandes.
All rights reserved.
Reproduced by Poetry Daily with permission.
Megan Fernandes is the author of Good Boys, and a finalist for the Kundiman Poetry Prize and the Paterson Poetry Prize. Her poems have been published in The New Yorker, Kenyon Review, The American Poetry Review, Ploughshares, The Common, and the Academy of American Poets, among others. An associate professor of English and the writer-in-residence at Lafayette College, Fernandes lives in New York City.
"Moving. . . .irresistible…. Transforms verse into multiverse."
—The New Yorker
"Megan Fernandes writes beautifully on the thorny relationship between grief, regret, and desire with verse that spans continents and beloveds and alternate timelines. . . . Fernandes’s poems are loving and messy but always precise, her insights the kind that make you reevaluate your entire life. This book captures Fernandes at her most mature, exciting, and brave. I Do Everything I’m Told is a perfect entry point to Fernandes’s captivating and irreverent style."
—Vulture
"Moving. . . . An unforgettable voice filled with intense longing for both the sacred and profane."
—Associated Press
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