Dream State (As Strained Pineapple)

Analicia Sotelo

What is called ignorance is also called bliss here.One heady sip of fake coconut,an artificial high             sliding up the crown,investigating the cell structure,the bloodline, the intelligence,the ability to adapt in weathered environments—A party is just a party. And the head is just a country.Where forgetting all responsibilities is a form of adoration.Where tiki bar banana flames pursue the senses.Where the foreground is a façade for taking flattering pictures.There is no way to get out, but there is a way to fall hard.Like falling for a French or Spanish soldier, or being claimed by one in a violencewhile the waves turn their veiled heads toward the moon and the moon minds its share.If you break this body open, you will catch sight ofa jagged continent, fresh as a raised tattoo,inside of                    a bright, white underbelly,inside of                    a chest hoarding the only clue to a family crest,inside of                    a plantation wedding loose with                                       ghosted hydrangeas and one bone dress,inside of                    an opening onto a field,a bliss here,                    like a sugar skull eyeshadow look,                    like a luxury seventeenth-century pattern on a powder room wall,                    like one apology for all Hawaiians from Dole company,                    as well as                   the suppression of language through the shearing of braided hair,                   the suppression of language through philanthropy,                   the suppression of language through the renaming of art and archival objects,                   the suppression of language through talks of money                   and fine new establishments at the peak of popularity.                   Interior of restaurant says: If you like piña colada, or vintage Cuba,                   or vintage Vietnam, or vintage India, or the scent of any island,                   then try this mai tai or mojito variant on a remake of the original rattan chair                   in a smoking glass, or open this tropical                   treasure chest right here as it grasps onto old Puerto Rico,                   and the drunk side of Cancún, and all this valet, waiting for you.

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photo of Analicia Sotela

Analicia Sotelo is the author of Virgin (Milkweed Editions, 2018), the inaugural winner of the Jake Adam York Prize, selected by Ross Gay, and the chapbook Nonstop Godhead (Poetry Society of America, 2016), selected by Rigoberto González. Her poems have appeared in the New Yorker, Boston Review, Kenyon Review, the Nation, and elsewhere. She is a CantoMundo fellow and the recipient of the 2016 DISQUIET International Literary Prize. She holds an MFA in poetry from the University of Houston.

Cover of NER 43.2

Vol. 43.2

Middlebury, Vermont

Middlebury College

Editor
Carolyn Kuebler

Managing Editor
Leslie Sainz

Poetry Editor
Jennifer Chang

By publishing new fiction, poetry, and nonfiction that is both challenging and inviting, New England Review encourages artistic exchange and thought-provoking innovation, providing publishing opportunities for writers at all stages in their careers. The selection of writings in each issue presents a broad spectrum of viewpoints and genres, including traditional and experimental fiction, long and short poems, translations, criticism, letters from abroad, reviews in arts and literature, and rediscoveries. New England Review exists in a place apart from mass culture, where speed and information overload are the norm. At NER, serious writing is given serious attention, from the painstaking selection process through careful editing and publication, where finally the writer’s words meet up with a curious and dedicated readership.

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