from a field guide to future flora

Orchid Tierney

it’s amazing how the sun is a soft structure a suiter      how the light returns the next day              how systems flourish      the end of a world is a continuance of another                           how mice digest owls      is a reversal of expectations        how cells gossip withselves               how microbes tangle tiny dramashow for the bat a white nose is a mile-a-minute              how a princess tree is a wind spinner             a leaf is a limb a bad metaphor             how floranauts demand labourfrom horse flies        hummingbirds                      a possum is a friendly neighbour                 is a kind of bee                  a kind bomb           a time bomb           a realtor    a mob                        how one colony is much like anotherhow the wasp trades with the flower              how this meadow is pink or green                 lichens queue fists of wheat        how repetition is a system                       how a stem is a neck craning with seasonal indifference                 how the flowerhead is a vagrant      an intruder        a network of dirthow a system is a verb       a noun        and something gross in between

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Orchid Tierney is from Aotearoa New Zealand and teaches at Kenyon College, Gambier, Ohio. She is the author of a year of misreading the wildcats (Operating System, 2019) and chapbooks looking at the Tiny: Mad lichen on the surfaces of reading (Essay Press, 2023), my Beatrice (above/ground press, 2020), ocean plastic (BlazeVOX 2019), blue doors (Belladonna* Press), Gallipoli Diaries (GaussPDF 2017), among others. Her scholarship has appeared in Venti, SubStance, Jacket2, the Cambridge Companion to Twentieth Century American Poetry and Politics, and forthcoming in the Cambridge Companion to Australian Poetry. She is a co-editor of the Routledge Companion to Ecopoetics and a senior editor at the Kenyon Review.

Cover of Harpy Hybrid Review [Winter 2021]

Winter 2021

Editor-in-chief
Janel Galnares

Editor
Lynn Finger

Harpy Hybrid Review is an online literary journal that celebrates the many and varied ways literary and poetic expression can be combined.

Harpy Hybrid Review seeks works that are hybrid or cross-genre in form as well as visual art, including but not limited to prose poems, lyric essays, translations, song lyrics, diagrams, ekphrastic poems, multilingual work, broadsides, erasures, found poems, comics, collages, photography, etc.—not to be showy, but simply because they cannot be expressed in any other way.

Harpy Hybrid Review seeks to publish established and new writers, social justice and lyric works—anything that makes us look at the world in a different way.

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