I won’t explain. My aunts spell around the vanity mirror& centerpiece me, my lips plummed, my neck belled mid-flight. After the food’s uncooked, the heirloom paring knifestitched up the bell peppers & dark meat, after the fiddle leaves left their fiddles, the porch undressed of wasps & usour old names— right here. As if even the evening didn’t let on. No parking lot, no gas stations. A scytheof emptied prisons shudder alongside the highway; bougainvillea& gun oil in the sheets. All my cousins slow-dancing in their cowboy boots & antlers. My mothers singing to the dogwood tree blooming black across my arm. Your hand finally on the small of my back, without any kind of fear. This time, I’ll be a girl & you can be anythingalive. Take the rope off your wrists. Somewhere far away from here, a star’s unspooling its star-white curtain. What happens if we begin already angels?Press your ears to my wingspan. Hum a little. We are the most possible kind of daughterhood. I promise. Step into the light. Let me see the mark our rapture left behind.
Reconstructions (excerpt)
Feature Date
- September 15, 2019
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Copyright © 2019 by Bradley Trumpfheller
All rights reserved.
Reproduced by Poetry Daily with permission.
June 2019
Chicago, Illinois
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Adrian Matejka
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Lindsay Garbutt
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Founded in Chicago by Harriet Monroe in 1912, Poetry is the oldest monthly devoted to verse in the English-speaking world. Harriet Monroe’s “Open Door” policy, set forth in Volume I of the magazine, remains the most succinct statement of Poetry’s mission: to print the best poetry written today, in whatever style, genre, or approach.
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