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Omotara James

When I tell my mother I am in love with a woman. She looks up
from the frying pan and I look down as she asks me what it is
that we do. She means sexually. She wants details. I think it's
time to invest in coconuts. Never learned to stomach the smell
of my mother's palm oil inside her American kitchen.
Announcing itself in hot splatters across the clean lines of the
cold porcelain. I still lay my temple across a cool surface, splay
my troubles atop a tiled floor. Limbs like I'm seven again,
naked from the waist, beneath my mother's steady hand and
long silver scissors. Which always feel like surprise ice against
my chubby pubis. Eyes pinned east beneath her impatient voice.
I said don't move. My girlhood, open as the morning blinds, the
light I wish was brighter. When Mama's finished cutting, she
dusts the loose hairs like a janitor, underpaid. Sighs. Now I'm
allowed to be a girl again. Pull up my shorts to play. Outside the
air tastes like honeysuckle and I am on the cusp of forgetting.
Until she calls me home. I pretend not to hear her questions.
She wants to know where I am going.

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Omotara James is a writer, editor and visual artist. She is the author of the chapbook Daughter Tongue, selected by African Poetry Book Fund, in collaboration with Akashic Books, for the 2018 New Generation African Poets Box Set. A two-time Pushcart Prize nominee, she is a recipient of the 2019 92Y Discovery Poetry Prize. She earned her BA from Hofstra University and received her MFA from New York University. Her poems have appeared in Poetry Magazine, The Paris Review, The Academy of American Poets and elsewhere. She is a fellow of Lambda Literary and Cave Canem Foundation. Born in Britain, she is the daughter of Nigerian and Trinidadian immigrants and currently lives in New York City. Her debut collection, Song of My Softening, is forthcoming from Alice James Books.

Cover of Song of My Softening

New Gloucester, Maine

“Omotara James is a poet of the body, and Song of My Softening moves us emotionally as it reminds us of our physical and sensual selves. These poems beg to be spoken aloud as one sister might to another, or as one sister might to an audience of sisters. These are daring poems from a poet brave enough to take the kind of risks that lead to beauty: ‘Your fat spills soft across the moonlit crown of grass./Your soulmates are a gaggle of fish, shoaling thick,/until you are schooled enough in this love.’”

—Jericho Brown

"Omotara James has used the page, the word and this wonderful book, Song of My Softening, to etch a particular achy wandering silence that is as loud and brilliant as any book I've read. One can only argue whether an abundance of skill or will was most necessary to pull off this literary feat. One cannot, and should not, ever argue about the book's multilayered longing boom."

—Kiese Laymon

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