[I’m a threat to life, a violent butter.]

Joyelle McSweeney

I’m a threat to life, a violent butter.
I spread my toxic inklings like a cloud
-seeding-drone, & drop on crops my shake
of violet water. As the clotted vena cava
sucks dye for the camera, a violent thought
turns all my justs to anger. A fist of cloud
breaks the crowny crater, which vomits up
its own grand cru, palpates the sternum
of the sky for ulcerations. O fish in flume, resting
on your mutagenic breasts, who do you give
your milk to. O mouth that cannot close, oh planet cleft
what cache of weapons do you lean on as you dream
in your pleural cavity, desertified, depressed.
Bad host, you clutch your guest.
 

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Joyelle McSweeney is the author of eight books of poetry, stories, novels, essays, translation and plays, including the verse play Dead Youth, or, the Leaks, which inaugurated the Scalapino Prize for Women Playwrights, and The Necropastoral: Poetry, Media, Occults, a work of decadent ecopoetics. With Johannes Göransson, she co-edits the international press Action Books, publishing such authors as Raúl Zurita, Hiromi Ito, Josué Guébo and Kim Hyesoon, while supporting translators like Daniel Borzutzky, Don Mee Choi, Katerine Hedeen, Katrine Øgaard Jensen, Michelle Gil-Montero, Jeffrey Angles, and many others. McSweeney’s ninth book, a double volume of poetry called Toxicon & Arachne, will be published by Nightboat Books on April 7th. She teaches at Notre Dame.

Brooklyn, New York

"Unequivocally, these poems build their right relation with the truth of the matter and the fact of suffering—where the speaker must go, with 'cerements,' into how 'am epigenetic / code remembers trauma.' I am in deep awe of the resilience found in these pages, and the enduring strength and clarity these poems expel forth."
—Prageeta Sharma

"Formally brilliant, emotionally heartbreaking, and considerably terrifying, this is a stunning work from one of poetry’s most versatile experimentalists."
Publishers Weekly Starred Review

"Grief and anger, too, spiral here, with snarl and venom that may stun none who know this searing, delirious, furious poet’s work. Yet, in the seething Toxicon & Arachne, McSweeney wields her wildest knife while making public her arcing, her aching cuts of deep and private mourning without blinking. It’s stupefying."
—Douglas Kearney

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