Anytime one of the four of us—me, Masser,the captain, his helper—leaned sideways,you could feel it tip, your bodykiltering toward the place where on landyou would’ve fallen, the thing five meters longand a little over a meter wide. I tried to imaginefifty others crowded aboard, then fifty moreif the pirogue were slightly larger,some with every important thing in a single bag,others with just their souls clutchedto their chests, which is to saytheir children. Masser says in the beginningit was just boys, teenagers stealing a boatat night and heading for the open sea,Spain’s Canary Islands a thousand miles away,or maybe to Libya and then onto Italy.And still they go, he says, though 4 out of 5 will die—death by water, death by hunger, deathby lack of water, death by lack of a compass, deathby the hope of a hundred desperate peopleand too little space. On the radio,the most popular entertainer in Senegalsings, “Last night in my dreams, all over the world:food for all. Ça, c’est necessaire,” he concludes.In the pirogue on the relatively glassy watersof the Sine-Saloum delta, I lean east,and the four of us lean east. Then someone leans west,and whether we want to or notwe all lean west toward the setting sun.
In the Sine-Saloum Delta
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- July 24, 2024
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“In the Sine-Saloum Delta” from AUCTION: by Quan Barry.
Published by University of Pittsburgh Press in September, 2023.
Copyright © 2023 by Quan Barry.
All rights reserved.
Reproduced by Poetry Daily with permission.
Born in Saigon and raised on Boston’s northshore, Quan Barry is the Lorraine Hansberry Professor of English at the University of Wisconsin-Madison. Barry is the author of eight books of fiction and poetry, including the recent novel When I’m Gone, Look for Me in the East, which the NY Times described as “a dazzling achievement.” O: Oprah Magazine described her novel We Ride Upon Sticks as “spellbinding, wickedly fun,” while the LA Times called her previous work, She Weeps Each Time You’re Born, “haunting and beautiful.” A recipient of NEA fellowships in both poetry and fiction, Barry is currently Forward Theater’s first ever Writer-in-Residence. The world premiere of her play, The Mytilenean Debate, was staged in spring 2022.
A New York Times Best Poetry Book of 2023
In Auction, her first poetry collection in eight years, the poet, novelist, and playwright Quan Barry travels the globe in her signature quest into the existential nature of experience. These poems explore the inner landscapes of both the human and animal realms, revealing them to be points along the same spectrum. At the heart of the book lies an extended study of toxic storytelling as an element of warcraft, but Barry also contemplates the death of a Buddhist master, the plight of migrants both at home and abroad, the ethics of travel and consumption, and the larger question of how and why we construct a self in order to navigate the world.
"She takes the crap of existence head-on, and makes art despite it."
—Elisa Gabbert, The New York Times
"Auction will leave readers feeling intrigued and challenged, but willing to see the beauty in life’s ugliness."
—Tone Madison
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