My Father Walks Out of an English Book and Into an English Field

Supritha Rajan

It was not long after the war—and just saying after the war places himin history, the one that countsthe progress of time as seismicshifts, as the partitioning of beforeand after, as if history unfurlsa taut chain that surveys the distancefrom one point on the landscapeto the boundary of anotherwhile everything else falls to the sidelike small pebbles along a rock-facebound to nothing but the abyssof unrecorded intimacies, dark and spaciousas those tunnels the imagination buildsfrom pools of ink. My father leansover a page, his brown handbound to the binding of a bookand the book a white fog from whichsteps forth a man wandering alonealong a country path and walking, walkingall day long the endless length of a fieldin search of what the resistance of a wind alonecould teach him—the type of man who,possessed by vagrant passions, becomes the manhe reads about in a book, and so is alsomy father standing up from a twin cotin a small room with an even smaller suitcaseand wandering into a field he walks all day longagainst a wind that smells of the Welsh seauntil weak-kneed and parched with thirsthe stops for water in a churchyard.This is before I am a point of viewin history, before he becomes a householdbound, like any man, to that war betweenself-clouding sorrow and vague ambition.It is the month of Chaitra. The beginningof a new year. Everywhere in the fieldfluttering around him, nameless as the impulsethat first led him here, the bright and strangecrowd of yellow flowers called daffodils.

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Photo of Supritha Rajan

Supritha Rajan is presently an associate professor of English at the University of Rochester. Her most recent poems have been published in such journals as Poetry Northwest, Colorado Review, Bennington Review, New American Writing, and elsewhere.

Cover of the Three Penny Review Winter 2024

Winter 2024

Berkeley, California

Editor and Publisher
Wendy Lesser

“Everyone should rush right out and subscribe to The Threepenny Review.”
—Tony Kushner

“There are vanishingly few magazines left in this country which seem pitched at the general literary reader and which consistently publish such interesting, high-quality criticism, reflection, argument, fiction, and poetry…Threepenny is thankfully still out there.”
—Jonathan Franzen

The Threepenny Review is one of the most original literary magazines not only in the U.S. but also on the entire planet (as far as my experience allows me such a judgment). Why? Because it stands outside the fads of the day; it’s not driven by any intellectual group or fashion. What it does is give the readers the taste of many individual writers’ voices.”
—Adam Zagajewski

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.