Of Daylight Saving Time, MyFitnessPal, and Indoor/Outdoor Cats

Jessica E. Johnson

Fig.

 

Body of trees a block of dark outside the home-office your body your attention pending here before the day’s reactions and—

 

                                       the way dark cedars suck light from
        sky the way dark hills suck light from air the trees
                                 more perfect black more perfect black
                                                            until the flood of daylight.

 

                                                                                                             / /

 

 

 

Daylight equals lists and tasks. Each item on the tasklist signifies a body in a place doing something it has come to consider important buy plants dentist grading kids room workout each task containing an array of other tasks the regular life proliferating its own maintenance its packaging inevitably forming the substrate of the day-plan the detritus attracting itself, coalescing.

 

 

 

 

Day’s abrasions produce excess feeling. Someone okay several someones did not reply. Most everyone forgot to mention. The colleague asserted his in fact pretty limited expertise by telling you how things actually are the screen’s particular kind of light swelling a bit of brain restricting blood to the ocular until the world chafes vision and the wind the trees the clouds feel built for harm.

 

 

 

 

In efforts to avoid an untimely release of Excess Feeling in efforts to make your body less you commence workout which eats with its molecular teeth pooled up Excess Feeling. The device records your motion translates you into an equation. You respire heavily on campus sweating your foundation wearing clothes not meant for anyone to see.

 

/ /

 

 

 

Home: before the day starts birds eat away at silence. Their twitter nibbles darkness into lace the printer hums because you didn’t think to turn it off.

 

The devices eat electrons and electrons and electrons which come from a spilled river which come from a coal fire and the river spills salmon bodies and the coal fire blooms heat and the devices yield heat and the cherry trees swell early and the summer kills. Outlets beg for the prongs of devices.

 

 

 

 

Cat wears her only clothes. Touch cat and she chirps. (Touch—chirp. Touch—chirp.)

 

The regular life eats money the cars eat money each device needs its own cover each life in your home in fact needs coverage and money eats time and even before the day starts well before the dark sky erupts in birdsong—

 

 

 

 

Cat the beloved specimen the invasive species cat the little piece of midnight velvet attaches briefly to carpet storing up energy her characteristic throat music the sound that first endeared you to her that persuaded you to choose her to feed and warm and watch over her furred body with its bits of sharp despite. Cat too: charging.

 

/ /

 

 

 

 

Despite so many attempts to resolve this tension, sometimes you are you and also sometimes mother just as light can be both particle and wave a person sometimes other times a role and no one can locate you at any particular time on that continuum of you and mother at best the observers (you the self-observer) could assign a probability.

 

 

 

 

Mother’s precursor is girl or at least that’s what they called you a half-naked self-decorating thing dirt smeared making songs from anything. Girl, a kind of song-being.

 

 

 

 

Mother was a girl who never saw a long-needled pine a streetside locust a groomed red maple without wanting to inhabit it, wanting to wave just like it wanting to glow just like it wanting a shape just like it.

 

 

 

 

(And what shapes can you inhabit when the cat the children keep homing to your body when they take some special kind of respite in your warmth you inhale the boy’s fresh hairline your lips brush the girl’s right ear.)

 

/ /

 

 

 

 

The cedar’s lower story fills the home-office window. In mental reactions cedar catalyzes language: auntie, ruffled, feathers. Wind combs the white sky.

 

Wind plus cedars equals the motion of ghosts outside the bedroom window the motion putting the children to dream. The children dreamed in utero, blind bulbs startling in response to images they could only have inherited.

 

Cedar’s dancing finger-fronds take up your ambition in the night and you wake as an inert gas not reacting to children or the ping ing ing ing devices.

 

/ /

 

 

Imagine you and the cedar arrange a psychic trade: you as she and she as you. She wakes at one resting her head on the dark sky pillow. You shed your inner soldier and feel the spread of your roots, your rising fluids. The cedar turns over a stupid thing she said at work remembers moments when she may have offended someone. You may live to be one thousand years old dry spells and fire notwithstanding. Cedar considers all the ways in which she’s not enough, how her hundred feet aren’t tall enough to make a home. Cedar tries coming up with ways of being better, being someone else, being something else and you—close your leaf pores to the cooler air, host a grand reaction, your body restoring itself from stored up light.

 

/ /

 

 

 

Morning, pores close, the exchange over. Run hands along your thick red bark. Flood of daylight produces the cat, coming in from murder.

Feature Date

Series

Selected By

Share This Poem

Print This Poem

Jessica E. Johnson is the author of the book-length poem Metabolics (Acre Books), the chapbook In Absolutes We Seek Each Other (DIAGRAM/New Michigan Press), and the forthcoming memoir Mettlework (Acre Books). Her poems and essays have appeared in The Paris Review, The New Republic, River Teeth, Poetry Northwest, and elsewhere. She lives in Portland, Oregon

“Capturing the ephemeral ways in which one is strange to oneself—the edges of self, of forests, of spaces, of existence entangled with the limitation of the shapes of things, this book, full of multi-species encounters, enacts the discontinuous and porous nature of selfhood and of being more than what can be contained within the confines of a body. With a keen perception and a lyricism that penetrates like light, Metabolics is a collection that will possess you.”
— Janice Lee, author of Separation Anxiety and Imagine a Death

“Johnson metabolizes the strange rituals of daily life into poetic language. With a ‘vast, provisional body,’ she moves between the home and the world, touching and consuming the real (plastic, cats, trees, devices) and the virtual (the internet, social networks, texts) in entangled ‘cycles within cycles.’ Once you enter this book, it too will consume your attention. It will eat your imagination until you become ‘something more than you imagined.’”
— Craig Santos Perez, author of Habitat Threshold

Metabolics is a song for our times where ‘the car consumes refined bones’ and the speaker’s ‘energy is taken up. . . by the emotional exoskeleton of text threads with their fibrous connection to all your feelings.’ Metabolics pinpoints the environmental conditions of late capitalism where the ‘wonderland sky’ is threatened by ‘the understory tinder quick to catch,’ and ‘the trees said nothing so the children screamed their songs.’ What does it mean to mother now? To teach? To live in a body at the edge of a forest that is ready to burn? Each prose poem in Metabolics is a window into these questions, and yet each poem captures much more than a moment in time. Johnson’s poetics requires us to confront our troubled present, regard the ‘chemical conspiracy between trees. . . bodies listening to bodies.’ What a marvelous book.”
— Tyler Mills, author of Hawk Parable

Poetry Daily Depends on You

With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.