Wherever we go we look carefully. Range of Light, Muir called the Sierra Nevadas. And in the last hours of sun, we can see it: the lored Gold Mountain, luring Chinese men like M’s ancestors with the promise of Californian wealth. Our own faces, gilded for a breath. Then it blinks out, as all illusions do when conditions cease to be right. We were most American in movement, most in range of that golden glow when passing through. All I can say is I love these small white churches barely visible across the long fields. I roll down the car window to angle my voice against mountainsides as M and I turn hairpins to toss our small mixed bodies into May-cold rivers: the American River, the Smith River, whatever streams of snowmelt we can suffer. Once, our parents were verbs in the mouths of siren cities, gateways to their parents’ dreams: San Francisco, Los Angeles, Seattle, songs strung too quickly into codas. Now the persistent pull to put them in our rearviews, this rugged-dust, gas-station-cigarette, hand-me-down nation fitted like a crumpled fortune into our ungovernable forms.
On The Road
Feature Date
- August 7, 2022
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First published in issue 7.3 of Tinderbox Poetry Journal.
Copyright © 2022 by Megan Kim.
All rights reserved.
Reproduced by Poetry Daily with permission.
Megan Kim was raised in the foothills of the Siskiyou Mountains. She is currently pursuing her MFA in poetry at the University of Wisconsin-Madison, and serves as an Associate Editor for Palette Poetry. Her work has appeared or is forthcoming in Tinderbox, Narrative Magazine, and Sycamore Review, among others, and she has received support from the Kenyon Review Writers Workshop.
Vol. 7, Issue 3
Editor-in-Chief
Hannah Dow
Poetry Editors
Threa Almontaser
Geramee Hensley
Emily Wolahan
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