Poem for a Man I Thought I’d Never See Again

Sarah Manguso

I knew a man once whose grandfathers were preachersand whose sister was a beauty queen.He lives in Nebraska, and because of himI’ve stayed out of Nebraska for sixteen years.I thought the feeling might be there, and if I found it again—what marrows were sacrificed to it,as one offers the innermost parts to the gods!And what more would we have burned.Then I saw him in Georgia, at a conference for writers.We even touched—a forearm on a shoulder,a wrist across a back, like skeletons embracing.The feeling wasn’t in my body.Nor was it in his body or in the space between us.I was surprised, for I’d thought it might be,and I’d thought maybe I wanted it back.It was just that I’d never seen anything like it,what it made him do to his wife.(It had been the first time for us both.)Last night, I dreamt it was the last day of my life,and I was allowed one favor.When I asked it, the wife, that dark angel of generosity, said Yes.I was so grateful, I didn't touch him.I just lay there in the ecstasy of what was about to happen.In the morning he placed his arm across me very slowlyand I knew, finally, that what had lasted in memory wasn't him,or what our bodies did, or what they would have done.It was a firstness that I thought I'd never find again—the firstness of it,which in the dream comes just before the firstness of death.

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Joel Brouwer

Sarah Manguso’s books include 300 Arguments, Ongoingness, The Guardians, and The Two Kinds of Decay, and her work has been supported by a Guggenheim Fellowship and the Rome Prize. She lives in Los Angeles.

Fall 2020

Sewanee, Tennessee

University of the South

Editor
Adam Ross

Managing Editor & Poetry Editor
Eric Smith

Assistant Editors
Hellen Wainaina
Jennie Vite

Founded in 1892 by the teacher and critic William Peterfield Trent, the Sewanee Review is the longest-running literary quarterly in America. The SR has published many of the twentieth century’s great writers, including T. S. Eliot, William Faulkner, Eudora Welty, Wallace Stevens, Saul Bellow, Katherine Anne Porter, Marianne Moore, Seamus Heaney, Hannah Arendt, and Ezra Pound. The Review has a long tradition of cultivating emerging talent, from excerpts of Cormac McCarthy and Flannery O’Connor’s first novels to the early poetry of Robert Penn Warren, Sylvia Plath, Robert Lowell, and Christian Wiman. “Whatever the new literature turns out to be,” wrote editor Allen Tate in 1944, “ it will be the privilege of the Sewanee Review to print its share of it, to comment on it, and to try to understand it.” The mission remains unchanged.

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