Rehearsal

Robin Myers

Bodies practice in the park.I watch. You would. Cued,flocked, avid, drastic, dressed in black,they throng over desiccated turf,behold shrubs like lovers, jogbackwards in a pantomime of shockrewound, hunch and bob with T-Rexwrists, then tumble back to earth.They are going to be expertsin it. Ecstatic, desolate, their facesare a rapt line fleeting as the ghostleft behind by a cursor on a page deletedor unwritten. You know, I’ve heardthat some people are still trying allalone to make things that no one else has everthought about before. HowI couldn’t say. Around us,grackles sleek themselvesinto arrows that zing awayand back, chattering,singing it.

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Headshot of Robin Myers

Robin Myers is a poet, translator, essayist, and 2023 NEA Translation Fellow. Her poems have recently appeared in Cortland Review, The Drift, Poetry London, Yale Review, Denver Quarterly, and the 2022 Best American Poetry anthology.

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Editor
Alicia Wright

Contributing Editors
Emily Barton Altman
Jonathan Gharraie
Kelly Krumrie
Toby Altman

Design
Louisa Johnston

Among its meanings, an annulet is chiefly a little ring.

As a biannual literary magazine, Annulet seeks to publish poetry that tracks its material nature, whether in language or in form, and prose whose sentences stretch toward, or must be parsed as or with, poetics. We like to read texts that live in between these states (especially for prose) as well as those poems keening closely with their form.

We introduce the annulet, or a short form close read, as our form of critique. Scholarly at heart and approachable in practice, these annulets should consider: one poem, or one excerptable prose section. Consider it the cherry of an article, and more fun. Longer form criticism, or comparatives, should consider more than one thing in conjunction with each other.

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