Réseau Plate: Interior with Gemini Constellation

Cori A. Winrock

Call it a piano tucked inside a houseboat. The woods that turn usinside out: heart which is not a salt lick. Deer which will no longergraze at our wrists at sundown. Our hands are open because they areempty. We've cuffed ourselves tight at the wrists with what isleft of daylight. We've cuffed ourselves to the snow. The landscape:a hospital. The heartache: a cliché. They say what heals is to sawone's self in half & walk away as miracle. When I found out I washarboring an asterism of hearts, no one starred the sick one's closed.No one kissed us congratulations. Inside you pressed yourselves togetherlike two playing cards, faces in profile. We embroidered your handsas an offering. We measured the distance in pulses. The variable lightof your leftover X-rays still slices us off at the wrist. Your sister developsin the open air as if dipped in chemicals in a dark room. When the house-lights come on like an ambulance's dazzle, we've already left our bodiesto science, we've let the unbearable constellation be halved.

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Cori A. Winrock is a poet and multimedia essayist. Her second collection, Little Envelope of Earth Conditions, was published by Alice James Books in January 2020. She is the winner of the Boston Review Poetry Prize and her poems and essays have appeared or are forthcoming in Black Warrior ReviewBennington ReviewFairy Tale ReviewTerritory, and elsewhere. This fall Winrock is joining the Cleveland Institute of Art as an Assistant Professor of Creative Writing.

Farmington, Maine

"This heartbreaking, unusual, and precise collection [Little Envelope of Earth Conditions] treats grief with all the complexity it deserves."
Publishers Weekly, Starred Review

“The grief in this collection is dense enough to enact its own gravity, enough to pull a person off the surface of the earth into the cold, white distance of space, or more specifically, to render a person encased in a spacesuit, each its own cut-off world for the individual inside it.”
—Nina MacLaughlin for Boston Globe

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