When our consent was against our willAs in “It is said during slavery Negro children were encumbrances Often advertised in evening papers” as lagniappeThe petite largesse of luxury living As in “Scipio baptized 1760 likely Negro boy About a month old to be given away”Into the sea as in below the harbor Near Edisto Island Igbos swung low In the chariot of their calling to beCarried home and walked On the bottom of water until handsome homed As in the way we lay we mimed a body of waterSo died for the want of water Bearing this plow and flower This bit and scold’s bridle this mule-ingLeather this blood lost This goodbye gone But one gone ain’t always equivalent to anotherAs in all silences are not the same As in all money ain’t good money What silences are you responsible forWhat Jims have you jiggered Into crows cajoled to sing in the pines And pages of poetry magazines for a prizeAs in there is no succinct definition of exile As in Black is the Black ain’t As in everywhere the bucks went clatteringThe police bristled in the way As in form forgets fugitivity is the original human Form as in best put on your best barbarianAs in this gospel is large enough That anything can be said about me and you Your momma and your cousin tooRolling down the strip on Vogues Waking up slamming Cadillac doors Outkast And out of gas the empire smiles in its guillotineAnd Gucci loafers As if to say ‘I practice the abundance of zero’ As in the world is always endingWhile someone is and ain’t Being born as in motherfuck the weather Come and join the band of wild negroesDancing the antelope and Holy Ghost In Gadsden Gethsemane and Georgia As in leave the angel to his centuriesOf death leave the police dog Of our future in his heavy paws Below the “Whites Only” signs and water fountainsDreaming of bucks Between his teeth and a healthy 401K Or Roth IRA to ease into old ageAnd the arthritis of chasing Everywhere the bucks go clattering As in the black and blur or the bright blur of blackAs in the negro must be still Must still be moving which is the original Cinematic motion of ghosts gardens and ex-slavesAs in address yourself only to freedom To the seed the forest the swamp the night The rain the river the rat the snakeThe panther the tree Leaping in and out of its green breath
Rich Black, or Best Barbarian
Feature Date
- March 22, 2022
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“Rich Black, or Best Barbarian” from BEST BARBARIAN by Roger Reeves.
Published by W. W. Norton & Company on March 22, 2022.
Copyright © 2022 by Roger Reeves.
All rights reserved.
Reproduced by Poetry Daily with permission.
Roger Reeves is the author of King Me and the recipient of a National Endowment for the Arts fellowship, a Ruth Lilly Fellowship from the Poetry Foundation, a 2015 Whiting Award, among other honors. His work has appeared in Poetry, The New Yorker, the Paris Review, and elsewhere. He is currently a Radcliffe Fellow at Harvard University.
New York, New York
"Roger Reeves conjures the losses—no, the thefts—at the root of the American story. Best Barbarian is a revelation and a form of reparation."
—Tracy K. Smith
"The mesmerizing second collection from Reeves reflects intergenerational racial trauma and personal tragedy with a remarkable balance of acute feeling and lyrical precision… With vivid images and haunting, evocative language, Reeves memorably places the reader in the space where life and death intersect."
—Publishers Weekly (starred review)
"From Grendel to Gilgamesh, Best Barbarian reviews and retells the most ancient of stories so that Roger Reeves can tell his own. The capaciousness of these elegiac poems, their Whitmanian need to hold and see it all, mirrors this speaker’s need to be known fully as a black father, a man in love, a surviving citizen, a son to his mother, and an investigator of his father’s whereabouts even after death. This book is an education on this history of the soul."
—Jericho Brown
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