Sometimes I Forget to Say Grace
You have been herebefore. The breadbaking, then breaking,then. A second wind.The evening eveningout over the squeezeof hunched shoulders.The batter in the belliesof those who thinkthe Lord implied.What's understooddoesn't need to beexplained, but whathave you done withyour five loaves lately?Nothing,I have multipliednothingbut my restlessness.I am in the businessof brisk surrendersand blindfolds I canunhand if and whereI see fit. The perfectcrime is the onein which no one iscaught fidgeting withthe foil. I am not keenon taking downmy own statementsbut I do so afterI get snoop at my want.And the heat rises.
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- January 14, 2024
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“Sometimes I Forget to Say Grace” from TENDER HEADED: by Olatunde Osinaike.
Published by Akashic Books in December 2023.
Copyright © 2023 by Olatunde Osinaike.
All rights reserved.
Reproduced by Poetry Daily with permission.
Originally from the West Side of Chicago, Olatunde Osinaike is a Nigerian-American poet, essayist, and software developer. He is the author of Tender Headed (Akashic Books, 2023), selected by Camille Rankine as winner of the 2022 National Poetry Series, in addition to the limited edition chapbooks Speech Therapy, which won the Atlas Review’s chapbook contest, and The New Knew (Thirty West). His work has appeared, or is forthcoming, in Lit Hub, Best New Poets, 20.35 Africa, New Poetry from the Midwest, Obsidian, Kweli, Wildness, and elsewhere. His work has received fellowships and support from Poets & Writers, Hurston/Wright Foundation, Kenyon Review Writers Workshop, and the Institute for the Study of Global Racial Justice at Rutgers University. He lives in Atlanta and would like to thank you.
“In this dynamic debut collection, Nigerian American poet Osinaike unpacks ideas of masculinity with playful musicality . . . Acutely attuned to poetic lineage, Osinaike cites established poets Yona Harvey, Ladan Osman, and Morgan Parker, setting a context for his own new and versatile voice.”
—Booklist
“In Tender Headed, Olatunde Osinaike asks the question, what makes a man, and what makes a man like me? As he interrogates the inner and outer workings of masculinity in all its sharp and tender parts, and the way a Black man meets the world, his poems strut and duck and weave across their pages. These poems unpack the ingredients of being and make a meal of language. They relish every word, every sound, every syllable. Their music is the sugar that makes us take our medicine, but their beauty refuses to be disguise. They disturb the peace while asking, ‘whose peace?’ The poems are playful, not playing. They pulse and spin and push us forward, never carry us away. Even as we dance along, we never close our eyes. This work is nimble. A two-step on a tightwire. Tender Headed grooves and shines, holds us wide awake and mesmerized.”
—Camille Rankine, author of Incorrect Merciful Impulses
“What sets Tender Headed apart from most of what passes for socially engaged ‘poetry’ nowadays is that Osinaike is not relying on The Project to do the heavy lifting. Rather, he is writing actual poems. Inventive, musical, and surprising poems.”
—John Murillo, author of Kontemporary Amerikan Poetry
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