The way a stranded animal looksback or circles above or reachesa slow paw in your directionafter the terror of your carrying themhas not so much passed as is beginning toebb in the slipstream of their blue or green,warm or cold blood and they can seethat what they maybe did or didn’t knowto even hope for—tiniest beating wishin the swish of the lungs—came(as we say, not they) true or simplythat somehow by some grace they arereturned now to an element—air, water,earth—they can recognize and thoughthey cannot possibly recognize you,they recognize that you were there,instrumental even, an instrument in this caseand the right, maybe righteous, fearcoursing through them now holds a glintof gold like sunlight in a river of leaves—this time a sloth, slowly, backwardfrom a newly gripped tree, this timea sea turtle, cold stunned so we have tosearch out the wave in its freeze-frame eyes.
Thank You Goodbye
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- June 29, 2024
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“Thank You Goodbye” from DREAM APARTMENT: by Lisa Olstein.
Published by Copper Canyon Press on September 12, 2023.
Copyright © 2023 by Lisa Olstein.
All rights reserved.
Reproduced by Poetry Daily with permission.
David Goodrich
Lisa Olstein is the author of five poetry collections, most recently Dream Apartment (Copper Canyon Press, 2023), and two books of nonfiction. Her honors include a Guggenheim Fellowship, Pushcart Prize, Lannan Residency Fellowship, Hayden Carruth Award, and Writers League of Texas Award. She is a member of the poetry faculty at the University of Texas at Austin.
“A formal restlessness echoes the particularities of this mind at work. Olstein moves between haibuns, short-lined enjambments, and concrete poems shaped like arrows. Sonic riffs propel the collection: vessel morphs into vassal, plum meets plumb as sound shapes the mind’s momentum. Wit, word play, and tonal shifts abound.”
—Rebecca Morgan Frank, Poetry Foundation
“Into this surfeit of mind-numbing meaning comes Olstein, clear eyed, to restore the dignity of the quarrel with oneself. Olstein is a nimble post-modernist, afraid neither of the couplet nor the broken line on a scattershot page.”
—Johnny Payne
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