I mean, the only zone I think I mightKnow, and by ‘know’ I mean ‘this thing hasn’tQuite killed me yet’ is the triumph of song.All my poems mean that, I think, really —This is the edge of my observableUniverse: I can’t see what does not sing,Or what I have not coaxed notes from out ofThin air. Like the first time I must have heardStrawberry Fields Forever. I was twelveAnd cupped the soft black sponges to my earsWhile sitting cross-legged on a friend’s twin bedAs the janky copy of the cassetteCopied over my memory of whereI was, with whom I was, and even whoI was. All I remember is the song,All that confident lack of confidence,Which is what making art is really like.The dark blood zoning forward and backwardIn the brain, the heart like grass in a bowl,And the burning horizon’s sharp swaggerAll of it part physics, part faith, part void.
The Triumph of Song
Feature Date
- February 19, 2023
Series
Selected By
Share This Poem
Print This Poem
Copyright © 2022 by Rowan Ricardo Phillips.
All rights reserved.
Reproduced by Poetry Daily with permission.
Rowan Ricardo Phillips is a highly acclaimed, multi-award-winning poet, author, screenwriter, academic, journalist, and translator. His poetry collections include The Ground (FSG, 2012), Heaven (FSG, 2015), Living Weapon (FSG, 2020), and the forthcoming Silver (FSG, 2024). He is also the author of When Blackness Rhymes with Blackness (a new edition of which is forthcoming from FSG) and the nonfiction book The Circuit: A Tennis Odyssey. His translations, primarily from Catalan, have appeared widely; including his translation of Salvador Espriu’s classic short-story collection Ariadne and the Grotesque Labyrinth (Dalkey Archive, 2012). Phillips has written on contemporary art for Artforum as well as for David Kordansky Gallery. In 2021, an exhibition inspired by one of Phillips’ poems, “The Beatitudes of Malibu” debuted at the David Kordansky Gallery in Los Angeles. Phillips is a regular contributor to The New York Times Magazine, the President of the Board of the New York Institute of the Humanities, and the poetry editor of The New Republic.
90
Cortland, New York
Editor Emeritus
Ginger Murchison
Editor-in-Chief
Christian Gullette
Poetry Editor
Anna Catone
Poetry Editor
Jennifer Wallace
Founder & Editor Emeritus
Guy Shahar
"The Cortland Review has become a mainstay of necessary web reading and listening for poets. The distinguished guest editor's picks, the video interviews, the authors, the archives, the art, all of it beautifully and lovingly curated and assembled. Amazing how twenty years of poetry can open at the tap of a finger. Congrats to TCR!"
—Doriane Laux, author of The Poet's Companion with Kim Addonizio
"Next time you have a bus or subway ride, or have a while to sit on a park bench, don't bring a book, just your phone, headphones, type in The Cortland Review and — voilà! — you'll have more than 1,500 diverse, talented, original poetry and prose archived in audio and text!"
—Laure-Anne Bosselaar, author of Small Gods of Grief
"The Cortland Review is one of the best online literary magazines. It got to be so the old-fashioned way: by being a consistently class act, publishing the best possible of not only established poets but also new poets, new voices. This magazine and its editors have served the art form well. That takes a great deal of work, dedication, and love. Twenty years: blink! Congratulations!"
—Thomas Lux, Bourne Chair in Poetry at Georgia Tech and author of To the Left of Time
Poetry Daily Depends on You
With your support, we make reading the best contemporary poetry a treasured daily experience. Consider a contribution today.