The Uncles

Liza Katz Duncan

One served in the navy. Another’s son lived at home,about my age. One used to watch the birds.One was a carpenter and built the fencethat ran the length of the beach, ending where landmet water. They’d share a bottle, stare at the bay,talking tides, the catch, and people they knew.One called me the professor. I never really knewwhy. After working late one night I came home,found him reminiscing. How they’d jump into the bayas boys, off the old bridge. Half-man, half-bird,that three-second flicker in midair before landing.The new bridge: a colossus with a ten-foot suicide fence.(Years later, someone whispered across the fencethat the son my age had died that way.) They knewthe tides like some know train schedules, knew the landwithout a map, and by flood stains on the homescould catalog storms by name. They recognized birdsby their calls, recognized boys who’d drowned in the bayyears earlier. It happens, living near the bayyour whole life, said the carpenter, who’d built the fence.Inevitable, said the one who watched the birds.They’d seen entire towns subsumed on the news,the rubble of oceanfront camelots. Seen homesfray and crumple, seen neighbors head inland,leaving the keys in the door. Their faces creased, handscalloused from years of fishing in the bay.This was their home to claim, not mine. Hometo them was a dead end and a guardrail or fence,then water.                                I’m forgetting others, I know.One had a scar near his eye in the shape of a bird.One, a firefighter, had tattooed the wordmercy, and fed the feral cats. When the land-lord asked, no one would ever say who.It doesn’t matter now. When I drive past the bayI remember, though the scene’s changed: old homestilted on their axes. The harbor, dark. The fence,fallen. The people they knew, gone. Even birdswon’t land here. The uncles have moved to retirement homes,fenced in, built as far as possible from the bay.

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Headshot of Liza Katz Duncan

Liza Katz Duncan is the author of Given (Autumn House Press, 2023), which received the Autumn House Press Rising Writer Award and the Laurel Prize for Best International First Collection (UK). Her poems have appeared or are forthcoming in AGNI, The Common, The Kenyon Review, Poem-a-Day, Poetry, Poetry Daily, and elsewhere. She teaches English as a Second Language in New Jersey public schools.

Hi-res cover of Given

Pittsburgh , Pennsylvania

Liza Katz Duncan’s debut collection, Given, winner of the Autumn House Rising Writer Prize, is both a poignant elegy and a sustained meditation integrating reflections on aesthetic perception and the complex interdependence between nature and psyche with deepening mourning of tragedies personal and collective.
North of Oxford

Liza Katz Duncan’s Given testifies to the luminous terror of creation: “the sky makes and remakes.” Then: “I had to write myself back into this place, if only to watch it fall apart.” There is so much here being made and unmade: personal griefs decimated by ecology, ecologies decimated by personal loss. I don’t know that I’ve ever seen a poet do what Liza Katz Duncan does here, testifying to loss and endurance this way, in such a radiant braid.
—Kaveh Akbar, author of Pilgrim Bell

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