The Zero Country

Julian Randall

The wind melodies hard through the cotton         All I need to know       the dead cravegerunds with a desperation traditionally  reserved for rain                                 in another world I countamong those historical deadOne age stretching past kingdomcrown of silence     I have been mournednow live again elsewhere here’s whatI have done with it      I spit on statuesin front of men who own multiple knivesMen dressed like trees     their childrendream of deer and what it means to ownI make a sad defiance     of the escape given  I ride past rows of cotton    sun transfiguresthem    gills of the bleakest fish     O meadowof child’s fists     O violence that grows intoa more efficient violence      I’m some other town’sghost story      Their knives moan my name    whetstone             bride of historyAll their love is cleaving in any other languageI walk beneath trees   become the moon’s sharpwhistle    Violence is not my only name    Yet all the menI find in foliage    look at me and whisper   Come true   Come true

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Color head-and-shoulders shot of a smiling Randall Chapman

Julian Randall is a Living Queer Black poet from Chicago. A recipient of multiple fellowships, Julian is the winner of a Pushcart Prize. He holds an MFA in Poetry from Ole Miss. His writing has appeared in New York Times Magazine, POETRY, and The Atlantic. Julian is the author of Refuse (Pitt, 2018), winner of the Cave Canem Poetry Prize and a finalist for an NAACP Image Award, The Pilar Ramirez Duet (Holt Books for Young Readers) and The Dead Don’t Need Reminding: Essays (Bold Type Books, 2023). He can be found at @JulianThePoet and on his website JulianDavidRandall.com.

Spring 2022

Co-Editors-in-Chief
Brittany Rogers
Raena Shirali

Poetry Editors
Benjamin Clark
Gala Mukomolova
kiki nicole
Lily Zhou

Founder
Stevie Edwards

For the past decade, Muzzle Magazine has published writing of revolution and revelation, and in 2020, on the precipice of a new decade, we will continue seeking submissions that move us not just in feeling, but also in intention. We resist the notion that a journal must have a fixed aesthetic, or that submissions for a new issue should mimic the style or approach of poems in previous issues. Instead, we are looking for poems that move (us) beyond.

Institutionalized hate, discrimination, exploitation, rape, violence, tangible and intangible theft, and other abuses of power are older than this country. To that end, we are dedicated to upholding marginalized voices, and prioritize submissions by BIPOC, LGBTQIA+, and disAbled authors. We are seeking new answers to old questions and old answers to new questions. We are seeking something we don’t know how to name yet.

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