To the Cuckoo Paper Wasp

Robyn Schiff

The first crisp tool in a small set ofperfect lockpicks this slickwasp learns how to twistis time. A solitary operativewhose name honorsthe bird famous for itshome invasions; obligate brood andkleptoparasiticcrafter without craft,not a papermaker like her makerspace-industrioushostess who 3D printsa many-chambered paper shelterwith her drooling mouthparts,cuckoo paper waspwhose patience is a weapon whetted slowlyjust waits as thereal paper wasp foundressspit-forges her nest, killing time late-lying in her bed ofwinter mind-hummingHelter Skelter to the cuckoo paper waspeggs depth-chargingwithin her. Then, preparedby visions shared by the most poised ofathletes, practitionersof mental trainingwho feel their achievements before achievingthem because theyknow imaginationis muscle equal to the heart, sheemerges from her longoverwinteringalready on the hot prowl; malware's mascot,she creepy-crawlsthe spring wind with her six-jointed forelegs, watches paper waspcomplete and provisionher nest from a shortdistance whence, as if out of swift nowhere, soobliviousis the paper wasp andconsequently not en garde againstwhat she can't imagine,serves herself as botheviction notice and quick enforcer, aconspicuousexample of how thoseof us who don't know how to make ourhomes make the ones we findours, story lines I'vefollowed alone too many times on hoteltelevisionscaled back for anodyneapocalypse programming that theentire history ofcivilizationis the slow-motion dress rehearsal for: shemurders her andusurps her nest. How? Inplace of skill, paper wasp 2.0honed her face to use asa club. Pronouns hunga scrim behind which wasp double-crossed wasp andher nest becamehers; then she lays furtherclaim to it by laying her own waspeggs there among those theauthentic paperwasp placed first, each forthcoming life a secretfroth brimming itsneat wasp-paper cell, theweirdest cupcake batter aquiverin thin paper liners.What a terriblebirthday party planned in resentment and guiltand love. Hard tograsp in pictures, I climba step stool with a flashlight and peerinto the rafters tosee this nest myselfresisting my sister-in-law's demands touse the broom she'strying to hand up tome to sweep it down, and even thenwho knows what's what, who's who,can tell a fatalcradle from a throne? By now the new queen hasassumed the scentof the host she killed byrubbing herself against the nest totake on the essence ofthe paper chewed inthe murdered wasp's small mouth, like dry-bathing inthe parched jaw ofdeath, a sacred lake bedwhose dust consecrates her in what's called"chemical camouflage"by those of us whothink we have the distance not to become thesubjects of thisqueen. But who knows? To thequeen the queen is the queen. Deceptionand Self-Deception wasa popular courseat the college I attended long agothat was one ofthose mansions before thatbuilt on other people's loss on farm-land secured by slaughter.Of the spirit ofthe bald eagle, observed more easily insitu than thereal estate dealings ofwasps, Benjamin Franklin is said tohave said he wished it notthe chosen emblemof this land. That bald eagle's dishonestyis bald-faced. Youmust have seen one perched highupon a dead spruce, his visage inserious profile soiconic it's likebeholding a living coin transacting thewild air. Thereis an eagle somewhereon our money, isn't there? I couldswear it but what a longtime since studyinga quarter. Remember the satisfactionletting go ofone into a slit cutfor it exactly, utterly insync with spending powerdeparting the loudarcade with one coin left over to phone yourmom? The heft ofthe cold receiver anddelve of the coin into a Delphiccleft in metal where thateagle descendedto fish—if he fished. Too lazy to hunt forhimself, he trainshis aristocraticlong-range gaze on an osprey fishingtwo miles downriver. Whenthat bird has made hiscatch and is bearing it back to the nest tofeed his young ourbird pursues and steals it.You have seen one perched on a spruce andknown the score. But here inthis paper nest Ican't stop looking at there's no seeing what conthe cuckoo wasplarvae are pulling tomove the worker paper wasps, emergednow with no suspicionthat their queen is deador that spring said long live the queen, to feed themfirst, before theyfeed their own. That subtleincompetence a cuckoo paperwasp is born wielding thata real paper waspresponds to with its wasted love is what makesa cuckoo wasp,not a papermakerbut a maker of the law, a betterchoice.

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Picture of Robyn Schiff

Robyn Schiff is the author of four collections of poetry, including the volume Information Desk: An Epic, out from Penguin in August of 2023 and A Woman of Property (Penguin, 2016), which was a finalist for the Los Angeles Times Book Prize and named a best book of the year by The New Yorker and the Chicago Tribune. Schiff is an honorary member of Phi Beta Kappa at Harvard, a co-editor of Canarium Books, and is the recipient of the Joseph Brodsky Rome Prize, a gift of the Drue Heinz Trust, at the American Academy in Rome. She recently joined the faculty of the University of Chicago.

Cover of Information Desk by Robyn Schiff

New York, New York

Robyn Schiff’s fourth collection is an ambitious book-length poem in three parts set at The Metropolitan Museum of Art’s information desk, where Schiff long ago held a staff position. Elaborately mapping an interconnected route in and out of the museum through history, material, and memory, Information Desk: An Epic takes us on an anguished soul-quest and ecstatic intellectual query to confront the violent forces that inform the museum’s encyclopedic collection and the spiritual powers of art.

“An effluvial rush of memory, desire, data, and metaphor . . . It’s bracing to encounter a mind so voracious, so unapologetic in its intelligence.”
New York Review of Books

"A book-length poem set in the Metropolitan Museum of Art, from a writer whose work offers 'something few poets ever discover: a vision of the whole world.'"
— Dan Chiasson

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